{"title":"Periodicals \u0026 Almanacs","description":"\u003cp\u003eRare magazines, periodicals and almanacs. Historic issues, literary journals, scholarly publications and cultural periodicals of past decades.\u003c\/p\u003e","products":[{"product_id":"moloda-ukraina-lviv-mizhvoiennyi-period","title":"Title page of the journal Moloda Ukraina: an illustrated magazine for young people. Lviv, [interwar period]","description":"\u003cp\u003eTitle page of the magazine Moloda Ukraina: an illustrated magazine for young people. Lviv, [interwar period]\u003c\/p\u003e\n\u003cp\u003eLviv, [interwar period]. — 4 printed sheets. — In Ukrainian.\u003c\/p\u003e\n\u003cp\u003eIn the original publisher's cover with a color illustration. Rubbing and soiling along the edges, scorch marks, and natural yellowing of the paper. Condition: good.\u003c\/p\u003e\n\u003cp\u003eThe publication has historical and cultural value and is of collector's interest as an example of Ukrainian magazine graphics from interwar Lviv.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe title \"Moloda Ukraina\" belonged to several different periodicals: the Lviv student monthly of 1900–1903, Olena Pchilka's Kyiv children's magazine, the Parisian monthly of 1935–1939, and a Toronto publication from 1951. Based on its design and date, this copy likely belongs to the Lviv illustrated magazine that was published from 1923 to 1926 under the editorship of Mykhailo Taranka: initially twice a year, and from 1925 monthly, with a supplement for the youngest readers, \"Svit Dytyny\".\u003c\/p\u003e\n\u003cp\u003eIn that publication, two-thirds of the content was devoted to literature—poems, short stories, fairy tales, and dramatic sketches—while the rest consisted of popular science materials on geography, history, natural sciences, and art history; among the authors of this section was, in particular, Ivan Krypyakevych.\u003c\/p\u003e\n\u003cp\u003eThe cover is the work of Pavlo Kovzhun (1896–1939)—a graphic artist who defined the appearance of Ukrainian books and periodicals in interwar Lviv, a co-founder of ANUM, and the designer of the magazines \"Mytus\", \"Komar\", and \"Nazustrich\". Children's and youth magazines were read until they fell apart and were rarely preserved, so individual issues in their original covers are uncommon.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":52872244560243,"sku":"SKU-00003","price":650.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15157276541299.jpg?v=1793989389"},{"product_id":"vyzvolnyi-shliakh-ch-2-26-london-liutyi-1956","title":"The Liberation Path: A Socio-Political Monthly. Part 2 (26). London, February 1956","description":"\u003cp\u003eVyzvolnyi Shliakh: Socio-Political and Literary-Scientific Monthly. Year III (IX), Issue 2 (26); continuous issue 100.\u003c\/p\u003e\u003cp\u003eLondon: Ukrainian Publishing Union, February 1956. — 248 pp.\u003c\/p\u003e\u003cp\u003eIn a soft publisher's cover. Paper is clean, with minimal signs of age; the text block is intact. Condition: good.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value as a monument of Ukrainian political thought in the post-war emigration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe February 1956 issue provides a good overview of the topics that occupied emigré journalism in the mid-1950s: Borys Vityshynskyi's review of international events, M. Velykanych's analysis of the economic situation in the USSR, and polemics surrounding the sixth five-year plan, along with articles on the history of Bolshevism and materials on the history of the Ukrainian People's Republic. The literary section of the issue includes H. Vaskovych's \"Dontsov's National Ideology\" and R. Kuchar's \"Literature of Despair and Literature of Faith\"; a separate report on archaeological discoveries is also included.\u003c\/p\u003e\u003cp\u003e\"Vyzvolnyi Shliakh\" was published in London starting in 1948 as the organ of the Organization of Ukrainian Nationalists (Bandera faction) and became one of the most influential Ukrainian overseas periodicals of the 20th century. The monthly combined political analysis with history, literature, and linguistics, serving as a platform that did not exist at all in Soviet Ukraine; over several decades, it featured almost the entire intellectual elite of the post-war diaspora on its pages.\u003c\/p\u003e\u003cp\u003eThe Ukrainian Publishing Union in London was one of the main centers of Ukrainian publishing in Western Europe. Individual issues of the monthly were distributed among communities through societies and parishes rather than bookstores, so complete sets and early annual volumes are now rare.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":52879295349107,"sku":"SKU-00006","price":450.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15159643603315.jpg?v=1793989397"},{"product_id":"notatky-z-mystetstva-ukrainian-art-digest-ch-27-1987","title":"Notes on Art = Ukrainian Art Digest. Part 27. Philadelphia, November 1987","description":"\u003cp\u003eNotes on Art = Ukrainian Art Digest. Issue 27, November 1987 \/ editorial board: Mykhailo Dmytrenko, Vasyl Doroshenko, Petro Mehyk, Stepan Rozhok, Volodymyr Shyprykevych; technical editor Petro Mehyk.\u003c\/p\u003e\u003cp\u003ePhiladelphia: published by the Philadelphia Branch of the Ukrainian Artists’ Association in America, 1987. — Ill., incl. color. — (Ukrainian Artists’ Association in America. Philadelphia Branch). — ISSN 0550-0850. Print run: 1,000 copies. Printed by: Orphanage Printing House, Philadelphia; color reproductions, offset printing, and binding by Myron Babchuk Printing House, Printing Methods, Inc., Rochester (New York). Graphic design and initials by Vasyl Doroshenko and his wife Oleksandra. Illustration captions in Ukrainian and English. Price on back cover: $10.00.\u003c\/p\u003e\u003cp\u003ePublished in a softcover of peach-colored paper with a leather-embossed texture: calligraphic title in dark green, English title on an orange panel, and the Ukrainian Artists’ Association emblem in the center; saddle-stitched. The cover is clean, with a few small dots on the front. A light blue printed label is pasted on the back of the front cover. The block paper is white, with no yellowing; no inscriptions or underlining. Condition: very good.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe issue was published in the centennial year of Oleksandr Arkhypenko (1887–1964) and opens with Oksana Bezruko-Ross’s survey “Arkhypenko’s Role in Twentieth-Century Art,” which discusses his involvement in the development of Parisian Cubism and the “Golden Section,” as well as “Boxers” and “Woman Walking.” The survey is accompanied by a color reproduction of the relief “Two Women” (1920, painted wood and sheet metal) from the National Museum in Belgrade. The frontispiece features a sketch of St. Volodymyr the Great with his coin by Prince H. H. Haharyk: the issue was prepared in anticipation of the millennium of the Christianization of Rus’.\u003c\/p\u003e\u003cp\u003eFurther articles include Volodymyr Zhylo on the polychromy of the Pokrova Cathedral in Munich, with color reproductions of Svyatoslav Hordynskyi’s frescoes (“The Resurrection of Christ,” “The Kyiv Metropolis,” “The Halych Metropolis”); Volodymyr Popovych on the painting of Sofiya Zarytska-Omelchenko; V. Ladyzhynskyi on the sculpture of Anna Faryon; a review of the graphic design of Ukrainian book publications; and an obituary and art chronicle for 1986–1987. Reproductions include Mykhailo Dmytrenko’s “Girls from Zalishchyky” (1942, first prize at an exhibition in Lviv that same year), Oleks Bułavytskyi’s “The Nook,” Rostyslav Hluvka’s “Cossack Mamai,” and Viktor Tsyhmbal’s “Coats of Arms of the Ukrainian Lands.”\u003c\/p\u003e\u003cp\u003eThe journal was published by the Philadelphia Branch of the Ukrainian Artists’ Association in America; it was founded and edited throughout its run by the painter Petro Mehyk (1899–1992). “Notes” was published in thirty issues from 1963 to 1990 and was the diaspora’s most comprehensive art periodical. The print run of one thousand copies was sold by subscription, so individual issues are rarely found in Ukraine.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":62291551977843,"sku":"SKU-00061","price":1200.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15227126317427.jpg?v=1793989375"},{"product_id":"la-semaine-paryzh-1942","title":"La Semaine: the great French illustrated weekly. Paris, 1942","description":"\u003cp\u003eLA SEMAINE: LE GRAND HEBDOMADAIRE ILLUSTRÉ FRANÇAIS. 1942\u003cbr\u003eYear of publication: 1942\u003cbr\u003ePlace of publication: Paris, France\u003cbr\u003ePublisher: World Copyright by La Semaine\u003cbr\u003eDimensions: Approximately 30 × 23 cm, original paper cover.\u003cbr\u003eThe cover bears the handwritten inscription “Année 1942” and the title of the publication series “...Et ce fut la Guerre” (...And so came the War). The publication shows signs of wear: noticeable scuffs, minor soiling, yellowing of the paper due to age, small tears along the edges, and traces of tape repair on the spine. The binding contains issues from 1942. This copy has high historical and cultural value as an authentic source of information and propaganda from the period of the German occupation of France during World War II.\u003c\/p\u003e\n\u003cp\u003eINFORMATION\u003cbr\u003e“La Semaine” (The Week) was a popular illustrated weekly published in Paris during World War II. The issues from 1942 provide detailed coverage of events on the Eastern Front, particularly battles fought on Ukrainian territory.\u003cbr\u003eThe issues contain extensive reports on the Battle of Kharkiv, which the publication refers to as the “6th Battle of Encirclement,” and on military operations in Crimea, including the assault on Kerch. The magazine published detailed battle maps, descriptions of German military aircraft (Stuka, Ju 90), and analytical articles on the political situation in the Vichy government. The pages also feature key figures of the era: Stalin, Churchill, Hitler. In addition to military news, the publication covered the consequences of the bombings of Paris and contemporary cultural news, making it an important document of the era.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":62561371259251,"sku":"SKU-00096","price":6500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15298658468211.jpg?v=1793985756"},{"product_id":"kalendar-almanakh-na-1943-rik-krakiv-lviv-1942","title":"Calendar-almanac for 1943. Kraków; Lviv, 1942","description":"\u003cp\u003eCalendar-almanac for 1943.\u003c\/p\u003e\u003cp\u003eKraków; Lviv: Ukrainian Publishing House, 1942 (Kraków: Neue Zeitungsdruckerei). — Over 160 pp.: illus., maps. — Approx. 22 × 16 cm.\u003c\/p\u003e\u003cp\u003eIn the original illustrated publisher’s cover. Rubbing, minor soiling, and signs of use typical of wartime publications. Old handwritten notes—inventory numbers and a price—appear on separate pages. Condition: good.\u003c\/p\u003e\u003cp\u003eThe book is of historical and cultural value and is of collector’s interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe “Calendar-Almanac” is a reference and literary publication combining several sections. The calendar section contains a list of Greek Catholic, Orthodox, and Latin holidays, as well as astronomical data. The historical and educational section includes “Chronicle of Ukraine” and “Historical Calendar” columns with key dates from the princely era to the beginning of the 20th century. The statistical sections “Land in Numbers” and “Where Ukrainians Live” present data on the distribution of Ukrainians as of 1939. The literary section contains Bohdan Nyzhankivskyi’s short story “The Last Shots,” poems, and local history essays about the Khmelnytskyi and Halych regions, while advertising pages for Ukrainian cooperatives, particularly the Lviv-based “Centrosoyuz,” offer a glimpse into economic life at the time.\u003c\/p\u003e\u003cp\u003eThe publication was issued by the “Ukrainian Publishing House,” the only authorized Ukrainian publisher in the General Government, which operated in Kraków and Lviv from 1939 to 1945. The almanac is illustrated with graphic headpieces and maps by M. Bylinskyi.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":62565817614707,"sku":"SKU-00100","price":11500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15299747840371.jpg?v=1793985209"},{"product_id":"arka-ch-1-7-miunkhen-sichen-1948","title":"Arka: monthly of literature, art, criticism. Part 1 (7). Munich, January 1948","description":"\u003cp\u003eArka: A Literary, Art and Criticism Journal: Monthly. Year II, Issue 1 (7), January 1948 \/ Editor-in-Chief Yurii Sheriekh; Art and Design Yakiv Hnizdovskyi; Editorial Secretary Yar Slavutych.\u003c\/p\u003e\n\u003cp\u003eMunich: Ukrainian Tribune Publishing House, 1948. — [4], 48, [2] pp.: illus. — Printed by R. Oldenbourg, Graphische Betriebe G.m.b.H., Munich. — Responsible Editor and Printer: Vasyl Pasichniak. — Published with permission from the Civil Affairs Division EUCOM APO 757. — Price on back cover: 6 NM. Print run not stated.\u003c\/p\u003e\n\u003cp\u003eOriginal cream paper publisher’s cover with two-color printing: at the top, a black publisher’s mark — an arcade in concentric circles; below, the title in red stylized lettering, and beneath it, a red square mark with a Capricorn and the number “1”; on the back cover, a red MUR mark. Wire-sewn. The cover shows natural yellowing, occasional foxing, and soiling along the edges; tears with small paper losses along the top and bottom edges of the front cover. The text block is yellowed, tight, and intact, with no losses. No inscriptions, stamps, or ex libris. Condition: good.\u003c\/p\u003e\n\u003cp\u003eThe publication has historical and cultural value and is of collecting interest; Yakiv Hnizdovskyi’s design is of independent artistic interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most valuable items in this issue are Mykola Zherov’s (1890–1937) sonnet “For the New Year,” dated January 1, 1932, and printed here for the first time, with an editorial note that Kyivans half-jokingly called Hollywood the Kyiv film factory. Also included are Lyudmyla Kovalenko’s short story “Fear,” Izy Levkovych’s sketch “From the Native Land” on Christmas and New Year customs, an excerpt from “The Lohansky Girls’ Room” from the first volume of Ulas Samchuk’s novel “Ost,” Svyatoslav Hordynskyi’s diary entries “Eleven Days on the Ocean” about the move to America in the fall of 1947, Volodymyr Kyveliuk’s article on Byzantinism in painting, Yevhen Olenski’s essay on “Christmas” in music, texts by Katrin Hrynevych, Yevhen Malaniuk, Tadosi Osmachok, Dokia Humennia, Oleksii Izarskyi, Yurii Kosach, and Borys Krupnytskyi. The illustration insert reproduces the “St. Nicholas” mosaic from St. Sophia Cathedral in Kyiv (1037); the art section contains drawings by Henri Matisse from the exhibition of French graphics at the Munich Galerie Hans.\u003c\/p\u003e\n\u003cp\u003e“Arka” was published in Munich from July 1947 as a supplement to the newspaper Ukrayinska Trybuna in cooperation with the publishing commission of MUR — the Ukrainian Art Movement, founded in 1945 in Fürth; hence the MUR mark on the back cover. It was perhaps the most prominent literary journal of the “DP” era: it deliberately placed Ukrainian literature alongside contemporary Western literature. From the second year of publication, Yurii Sheriekh became editor-in-chief — a pseudonym for the linguist and critic Yurii Shevelov (1908–2002), the leading ideologue of MUR. All the journal’s art design, including the arcade mark on the cover, is by Yakiv Hnizdovskyi (1915–1985), who later became one of the most famous Ukrainian graphic artists in the United States.\u003c\/p\u003e\n\u003cp\u003eThis issue opens the second year of publication. The journal lasted less than two years, and data on its print run vary: the Encyclopedia of Ukrainian Studies lists eight issues, the USHMM catalog lists issues up to No. 5 (May 1948), and the bibliographic index of the Scientific Library of the National University of Kyiv-Mohyla Academy (2003) lists eleven issues; the discrepancy remains unresolved. Print runs of camp publications were small, the paper was cheap, and individual issues of “Arka” in good condition are rarely found.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":63943500824947,"sku":"SKU-00134","price":6750.0,"currency_code":"UAH","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15486103126387.jpg?v=1793989655"},{"product_id":"arka-ch-3-4-9-10-miunkhen-berezen-kviten-1948","title":"Arka: monthly journal of literature, art, and criticism. Parts 3–4 (9–10). Munich, March–April 1948","description":"\u003cp\u003e\u003cem\u003e“Was Khmelnytsky a surprise to his contemporaries?” — Oleksander Ohloblin, on the first page of this issue.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eArka: a literary, art and criticism journal: monthly. Year II, issues 3–4 (9–10), March–April 1948 \/ editor-in-chief Yurii Sherekh; art and design Yakiv Hnyzdovsky; editorial secretary Yar Slavutych.\u003c\/p\u003e\n\n\u003cp\u003eMunich: Ukrainian Tribune Publishing House, 1948. — 96 pp.: illus. — 22 × 16 cm. — Printed by R. Oldenbourg, Graphische Betriebe G.m.b.H., Munich. — Published with permission from the Civil Affairs Division EUCOM APO 757; responsible editor and printer Vasyl Pasichnyak. Price on the back cover: 10 NM. Print run not stated.\u003c\/p\u003e\n\n\u003cp\u003eOriginal publisher’s cover by Yakiv Hnyzdovsky: cream paper, title in green, arch emblem and publisher’s mark in black; MURU mark on the back cover. Wire-stapled section, staples with rust. Paper with even natural yellowing, occasional dark spots and stains on the edges of the cover, light creases and waviness along the edges and corners, small tears in the cover without loss of paper. Uncut pages. No inscriptions, stamps or marginalia. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe journal is of historical and cultural value and is a bibliographic rarity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe double issue for March–April 1948 was produced to commemorate the 300th anniversary of Khmelnytskyi: the first page opens with the dates “1648–1948” and Oleksander Ohloblin’s article “Golden Peace,” about the decades immediately preceding the uprising. Also included are Borys Krupnytskyi’s survey “Bohdan Khmelnytskyi in the Light of Ukrainian Historiography,” Dmytro Chyzhevskyi’s study “The Seventeenth Century in the Spiritual History of Ukraine,” and Volodymyr Sichynskyi’s article “Ukrainian Woodcuts of the XVI–XVII Centuries.” The issue is richly illustrated with engravings from that period: the coat of arms of Petro Mohyla from “The Soul-Beneficial Instruction of Father Dorofey” (1628), a portrait of Khmelnytskyi from Wilhelm Gondius’s edition, early woodcuts; a separate insert reproduces Ivan Shchyrs’s academic thesis, a copperplate from around 1697–1702.\u003c\/p\u003e\n\n\u003cp\u003eThe literary section featured most of the names associated with MURU: Yurii Kosach’s “The Yarama and the Perebyynis,” Oleksa Veretenchenko’s “The Sich State,” Yurii Tys’s “Renaissance,” Yurii Yanovskyi’s “The Bride,” Ulas Samchuk’s “Berlin, February 1945,” and poetry by Mykola Zherov, Vadym Lesych, Mykhailo Stnyk, Hanna Cherin, Yar Slavutych, Larysa Heniush, and Vasyl Bark. Notably, alongside them was printed the short story “Rain” by German writer Walter Kolbengof, while the art sections featured Volodymyr Lasovskyi’s “Letters from Paris on Art” and Yurii Solovyi’s article “Is Our Contemporary Art Contemporary?”: the journal deliberately placed Ukrainian literature in a European context.\u003c\/p\u003e\n\n\u003cp\u003e“Arka” was published in Munich from July 1947 to May 1948 through the Ukrainian Tribune Publishing House in cooperation with the MURU Publishing Commission; during this time, eleven issues were published in nine editions, two of which were double issues. From January 1948, Yurii Sherekh (Shevelov, 1908–2002) was editor-in-chief, and graphic artist Yakiv Hnyzdovskyi (1915–1985) was the regular designer. Print runs during the camp period were small, paper was cheap, and complete issues of “Arka” never made it into libraries in Ukraine; this is the most substantial and richly illustrated issue of the journal.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":63943544111475,"sku":"SKU-00136","price":9000.0,"currency_code":"UAH","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15486113284467.jpg?v=1793989655"},{"product_id":"arka-ch-5-11-miunkhen-traven-1948","title":"Arka: A Monthly Review of Literature, Art, and Criticism. Part 5 (11). Munich, May 1948","description":"\u003cp\u003e\u003cem\u003e\"Is Western culture in danger?\" — François Mauriac, from the first page of this issue.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eArka: a journal of literature, art and criticism: monthly. Year II, No. 5 (11), May 1948 \/ editor-in-chief Yurii Sherekh; art and design Yakiv Hnyzdovskyi; editorial secretary Yar Slavutych.\u003c\/p\u003e\n\n\u003cp\u003eMunich: Ukrainian Tribune Publishing House, 1948. — 72 pp.: illus. — 22 × 16 cm. — Printed by R. Oldenbourg, Graphische Betriebe G. m. b. H., Munich. Responsible editor and printer — Vasyl Pasichnyak. Publication authorized by the Civil Affairs Division EUCOM APO 757. Editorial address — Munich, Dachauerstrasse 9\/II; administration — Fürichstrasse 53\/II. Circulation not stated.\u003c\/p\u003e\n\n\u003cp\u003eOriginal publisher's cover by Yakiv Hnyzdovskyi: a black arch in a concentric circle on cream paper, title and subheadings in purple, a purple publisher's mark at the bottom. On the back cover — a purple mark of the Ukrainian Art Movement (MUR). The cover is evenly yellowed, with soiling and occasional spots along the edges, minor corner creases; the spine is intact, with no tears. The paper inside shows natural yellowing, most noticeable along the edges; the text block is firm, with no losses. In the upper left corner of the front cover is an old library mark \"77.E.L\" in pencil. Price on the back cover: 3 NM (previous issues cost 6 marks — the price reduction was probably due to the German currency reform, during which the issue was published). Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe issue has historical and cultural value and is of collector's interest; Yakiv Hnyzdovskyi's cover is of independent artistic interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe issue opens with a selection of remarks by writers of the French \"Catholic Revival\" — T. S. Eliot and François Mauriac — on the fate of Western culture; the question of the threat from the Red Army is posed simply on the first page, in May 1948, a few months before the Berlin blockade. Further — Yurii Kosach's \"Golden Reed,\" Oleksa Izarskyi's \"Cosmic Osiya,\" poetry by Vasyl Bark, Mykhailo Orest, Oksana Lyaturynska, Oleh Zuyevskyi, Volodymyr Svidzynskyi, materials from the memory of Katya Hrynevychova, Vasyl Halayda's investigation into Ivan Franko's theatrical positions, Vasyl Vytvytskyi's review of the music at the Munich Weeks of Ukrainian Culture, translations by Paul Claudel, Georges Bernanos and Alfred Momberth. The central publication — V. Domontovych's (Viktor Petrov's) biographical novella about Vincent van Gogh; in the table of contents it is listed as \"The Lonely Traveler Walks a Lonely Path,\" on the article itself — \"The Lonely Traveler Walks Along a Lonely Road.\" Reproductions — Van Gogh (separate illustration insert with a self-portrait), Georges Rœussell, Myron Bylynskyi's woodcut, Edvard Kozak and Mykhailo Moroz from the exhibition of Ukrainian painting in Regensburg, Lucien Fréchet; a separate photo report from the exhibition of Yurii Kosach's \"Order\" at Volodymyr Blavatskyi's theater.\u003c\/p\u003e\n\n\u003cp\u003e\"Arka\" was published in Munich from July 1947 to May 1948: eleven issues in nine numbers. The weekly Ukrainian Tribune held the publishing license, and the formal publisher and responsible editor was Vasyl Pasichnyak — a former member of the OUN and Auschwitz prisoner; Yurii Sherekh (Shevelov) became the de facto editor from issue No. 1 (7), and from that same issue the journal ceased to be a supplement to the party weekly, becoming de facto a publication of the MUR. The cover and layout were done by Yakiv Hnyzdovskyi, who used the Zaborovskyi gate as a basis — the ceremonial mitre-gate entrance to St. Sophia Cathedral in Kyiv.\u003c\/p\u003e\n\n\u003cp\u003eThis is the last issue of \"Arka.\" It was delayed by a few months, and the sixth issue, according to Shevelov, was already almost ready in the editorial office, but never made it to the printer: the German currency reform of 1948 took the money from the reader, who was only exchanged forty marks in hand. Complete annual sets of the journal are absent from Ukrainian public libraries, and individual issues are rarely found on the market.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":63943555285363,"sku":"SKU-00137","price":6750.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15486116397427.jpg?v=1793985500"},{"product_id":"feniks-zoshyty-1-9-nepovnyi-komplekt-miunkhen-1951-1959","title":"Phoenix: A Young People's Journal. Issues 1–4, 7–9. Munich [and others], 1951–1959","description":"\u003cp\u003e\u003cem\u003e“There is no better symbol for our hundredfold crucified but defiant Fatherland, which rose again and again from ashes and ruins.”\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003ePhoenix: a young people’s journal: an irregular publication of the M. Mykhnovskyi Society of Ukrainian Studying Youth; a journal of knowledge, culture, and public thought \/ editor-in-chief Vasyl Markus; editorial board: Hryhorii Vaskovych, Volodymyr Haiduk, Mykola Kravchuk, Andrii Lystok, Kyrylo Mytrovych.\u003c\/p\u003e\u003cp\u003eMunich; Freiburg; Paris; Detroit; Brussels: published by the M. Mykhnovskyi Society of Ukrainian Studying Youth, 1951–1959. — Seven issues: No. 1 (1951, Year I, Munich — Freiburg); No. 2 (1951, Year I, Munich — Freiburg); No. 3 (1952, Year II, Munich — Paris); No. 4 (1952, Year II, Munich — Paris); No. 7 (1956, Year V, Detroit — Munich); No. 8 (1958, Year VI, Detroit — Munich); No. 9 (1959, Year VII, Detroit — Brussels — Munich). — Issue 1 contains 64 pages. Circulation not stated. Price of Issue 1 on the last page of contents: 1.50 N.M. — $1.\u003c\/p\u003e\u003cp\u003eOriginal publication covers in colored paper — blue, brick-red, green, brown, orange — with the title and publisher’s mark in the form of a stylized flame; staple-bound. Issue 3 is the most damaged: significant loss of paper along the entire perimeter of the cover, darkening, and brittle edges. Issues 1 and 2 have tears and paper loss along the spine edge, rubbing, and bumped corners. Issues 4, 7, 8, and 9 are fresh, with minor corner creases. The paper shows natural yellowing, occasional foxing, and soiling along the edges. On the top cover of Issue 2 is a postmark from the administration of the journal “Visnyk” (P. O. Box 304, Cooper Station, New York 3, N. Y.) and pencil marks; on the back cover of one issue is the inventory number “2110” written in pencil. Condition: good.\u003c\/p\u003e\u003cp\u003eThe set has historical and cultural value and is of collecting interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe first issue opens with the preface “Why Phoenix?”: not as a swallow, swift, or crane does the journal of young people take flight into the world, but bearing the name of the mythical bird that rises from the ashes. This is followed by a portrait of General-Chornyzh Roman Shukhevych — Taras Chuprynka, with the inscription “Dulce et decorum est pro patria mori,” an excerpt from the Universal Declaration of the Fighting Ukrainian Nation, poetry by the revolutionary underground writer Mark Bohyslav, and Stepan Khryn’s memoirs “In the Bunker During the Winter.” The rest of the issue contains Hryhorii Vaskovych’s programmatic article on the tasks of the studying youth in exile, Kyrylo Mytrovych’s report on Emmanuel Mounier’s personalism, Vasyl Markus’s polemical article “For What Liberating Policy?”, Oleksii Horbach’s report on the NTSU, a jubilee article on Hryhorii Vashchenko, and the sections “Student Life” and “Books and the Press.”\u003c\/p\u003e\u003cp\u003eThe SUSY was a student nationalist organization founded in December 1949 at a congress in Leipzig by members and supporters of the OUN’s Overseas Units; its General Staff was initially based in Munich and from 1955 in North America. During its most active years, the society numbered 300–350 members. The publishing assistants listed in the first issue lived in Minneapolis, Toronto, Birmingham, and Brussels, and the cities on the covers of these seven issues — Munich and Freiburg, Munich and Paris, and then Detroit — can be read as a map of the migration of an entire generation over eight years.\u003c\/p\u003e\u003cp\u003eThe editor-in-chief of the first issues, Vasyl Markus (1922–2012), was born in Transcarpathia and studied political science at the University of Freiburg from 1949 to 1951 — hence the second editorial address on the cover. He edited “Phoenix” until 1954, headed the Central Union of Ukrainian Students, defended his doctoral dissertation at the University of Paris in 1956, and later became a professor at Loyola University in Chicago and editor-in-chief of the “Encyclopedia of the Ukrainian Diaspora.” The journal was published irregularly and in small print runs; only the first issue is available in digitized form, while the rest of the issues are almost never recorded in public catalogs.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":63948221022579,"sku":"SKU-00144","price":9000.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15488809566579.jpg?v=1793985489"},{"product_id":"kalendar-almanakh-na-1958-rik-buenos-aires-1958","title":"1958 Almanac Calendar. Buenos Aires, 1958","description":"\u003cp\u003eCalendar-almanac for 1958 \/ [cover by I. Denys].\u003c\/p\u003e\n\n\u003cp\u003eBuenos Aires: published at the expense of the Ukrainian Society “Vidrodzhennya” in Argentina, [1958]. — 160 pp.: illustrations, portraits, advertisements. — Publisher’s address on the title page: c. Maza 150, Buenos Aires.\u003c\/p\u003e\n\n\u003cp\u003ePublished in a hardback cover of thick grey paper: the front cover features a two-color linocut of a mounted archer in a helmet against a backdrop of water and a fortress tower, in purple and brick-red, signed in the block “I. Denys”; the back cover features an advertisement for the “Ivalex” metallurgical workshop of Ivan and Oleksandr Suschyk. The text block is sewn with wire staples and remains firmly bound. The edges and corners of the cover are rubbed, and the spine and edges have darkened; there is a small red stain on the right edge of the front cover. On the reverse of the front cover and along the spine of the first leaf, there are tears and paper losses near the staples; there are stains on the inner margin of the title page; several subsequent leaves have small tears on the fore-edge, but the text is undamaged. The paper has an even natural yellowing. There is a pencil inscription in the upper left corner of the back cover. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe publication has historical and cultural value and is of collector’s interest; the linocut cover is of independent artistic interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe calendar section was designed for life in both hemispheres: the months are named in Ukrainian and Spanish—“Січень \/ Enero,” “Листопад \/ Noviembre”—the dates are given according to both the New and Old Styles, and Ukrainian church holidays appear in the same table as Latin ones. Each month opens with a linocut headpiece featuring an initial. This is followed by a selection of readings: General Handziuk’s “Heroic Death” by General Mykola Kapustiansky; A. Vysochenko’s short story “The Shadow of a Zaporozhian” (an excerpt from the book “On the General’s Line”); P. Kukurza’s sketch of Bishop Avgustyn Voloshyn; the investigation “An Unsolved Crime” into the murder of Mykola Leontovych in January 1921; and Yevhen Onatskyi’s article “The Weight of Tradition in Social Life.” The volume concludes with advertisements from Ukrainian entrepreneurs in Buenos Aires—from Yaroslav Yasynskyi’s “Riyokha” furniture wholesaler, with the motto “One of Our Own to One of Our Own!”, to the “Ivalex” workshop in Monte Grande.\u003c\/p\u003e\n\n\u003cp\u003eThe Ukrainian Society “Vidrodzhennya” was founded in Buenos Aires in 1939 on the basis of the Argentine branch of the Organization of Ukrainian Statehood, which united local “Sokil” and Striltsi communities. The society adhered to the Melnykite wing of the OUN and had published the journal “Nash Klych” from the beginning; this explains the circle of authors of the calendar.\u003c\/p\u003e\n\n\u003cp\u003eThe linocut on the cover is signed “I. Denys”—in Argentina, Ivan Denysenko (1910–2006), a student of Ivan Padalka and Fedir Krychevskyi, who had lived in Buenos Aires and Córdoba since 1949, painted Onatskyi’s portrait and designed the covers of Ukrainian publications, exhibited under the name Jan Denys. Argentine calendar-almanacs were printed in small editions on cheap paper, circulated among their own people, and almost never made it into book collections in Ukraine.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589810008435,"sku":"SKU-00181","price":2200.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528936472947.jpg?v=1793988328"},{"product_id":"notatky-z-mystetstva-ukrainian-art-digest-ch-5-filadelfiia-1966","title":"Notes on Art = Ukrainian Art Digest. Part 5. Philadelphia, November 1966","description":"\u003cp\u003eNotes on Art = Ukrainian Art Digest. Part 5, November 1966 \/ editorial board: Petro Andrusiv, Mykhailo Dmytrenko, Vasyl Doroshenko, Petro Mehyk, Stepan Rozhok, Maria Strutynska; technical editor Petro Mehyk.\u003c\/p\u003e\u003cp\u003ePhiladelphia: published by the Philadelphia Branch of the Ukrainian Artists’ Association, 1966. — Ill., incl. color. — (Ukrainian Artists’ Association in America. Philadelphia Branch). — Print run: 750 copies. Printed by America, 817 N. Franklin St., Philadelphia. Initials for articles — Vasyl Doroshenko; color reproductions — V. Barahura; photos — O. Mykhaliuk, Nestor Studio, V. A. Lisetskyi. Illustration captions in Ukrainian and English. Price on back cover: $2.50.\u003c\/p\u003e\u003cp\u003ePublished in a softcover of peach-colored paper with a leather-embossed texture: calligraphic title in blue, English title on a brown panel, Ukrainian Artists’ Association emblem in the center; pages stapled. Cover clean and even, with slight rubbing and a few barely noticeable spots near the spine on the back. Small spot on the title page, small yellowish stain on the margin of p. 57. Block paper light, no writing, stamps, or underlining. Condition: very good.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOne of the early issues of the journal. Opens with a reproduction of Petro Khulodny the Elder’s (1876–1930) tempera painting “Scene from the Entombment of Christ” and Oleksii Povstenko’s programmatic article “With the People, Toward the Heights of Our Art,” on the erection of monuments to Shevchenko in Washington and Winnipeg as the emigration’s response to Russification. Further — Sviatoslav Hordynskyi’s survey “On the Oldest Kyiv Icons,” essays on artists Yukhym Mykhailiv (by Mykhailo Dmytrenko) and Stepan Stetsiv, a major monograph article by Volodymyr Popovich on Petro Omelchenko’s (1894–1952) graphic art, accompanied for the first time by his photograph and reproductions of graphic works from the artist’s widow’s archive, Serhii Borachok’s memoir “Ukrainian Artists in Paris in the 1930s,” a review of the graphic design of Ukrainian books, Vasyl Doroshenko’s article “The Breaking of the Book,” art chronicle, and report of the Ukrainian Art Studio in Philadelphia. Among the illustrations — a drawing of the wooden church in Matkiv, Turkivshchyna (1838) by Tadei Obminskyi, Yakiv Hnizdovskyi’s woodcut “Leafless Tree” (1965), color reproductions of Lyuboslav Hutsaliuk’s “Windmills in La Mancha” (1965) and Mykhailo Dmytrenko’s “Girl with a Lizard.”\u003c\/p\u003e\u003cp\u003eThe journal was published by the Philadelphia Branch of the Ukrainian Artists’ Association; edited by Petro Mehyk (1899–1992). “Notes” appeared from 1963 to 1990 in thirty issues and served as the main chronicle of the Ukrainian diaspora’s art life. The early issues were printed in a small run — 750 copies — and are rare in Ukraine.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589811876211,"sku":"SKU-00207","price":3500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528938275187.jpg?v=1793986907"},{"product_id":"notatky-z-mystetstva-ukrainian-art-digest-ch-16-filadelfiia-1976","title":"Notes on Art = Ukrainian Art Digest. Part 16. Philadelphia, August 1976","description":"\u003cp\u003eNotes on Art = Ukrainian Art Digest. No. 16, August 1976 \/ editorial board: Mykhailo Dmytrenko, Vasyl Doroshenko, Petro Mehyk, Stepan Rozhok, Maria Strutynska, Volodymyr Shyprykevych; technical editor Petro Mehyk.\u003c\/p\u003e\u003cp\u003ePhiladelphia: published by the Philadelphia Branch of the Ukrainian Artists’ Association, 1976. — Illus. — (Ukrainian Artists’ Association in America. Philadelphia Branch). — Print run: 1,000 copies. Printed by: “America,” Philadelphia; plates by: Enterprise Engraving Co.; binding by: Drexel Bindery. Initials by: Vasyl Doroshenko; composition and typesetting by: Stepan Mykytyuk and Omelian Kostiuk; printed by: Mykhailo Ferkunyak. Illustration captions in Ukrainian and English. Price on back cover: $5.\u003c\/p\u003e\u003cp\u003ePublished in a softcover with peach-colored paper featuring a leather-embossed texture: calligraphic title in red, English title on a green panel, and the Ukrainian Artists’ Association emblem in the center; pages stapled. The cover has several small spots, and the lower edge of the back cover is slightly worn; the lower outer corner of the first few pages is creased. The pages are white, with no yellowing; no inscriptions, stamps, or underlining. Condition: good.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe issue opens with a reproduction of Petro Kholodnyi’s (1876–1930) tempera painting “Oh, in the Field, the Rye…” with a note that the work was exhibited at the National Museum in Lviv. This is followed by Ostap Tarnavsky’s essay “A Conversation with the Creator: Art and Poetry,” dedicated to Svyatoslav Hordynsky on the occasion of his 70th birthday; a major illustrated article by V. Ladyzhynskyi, “Ukrainian Antimenses of the 17th–19th Centuries,” with reproductions of printed antimenses, including one issued with the blessing of Cardinal Josyf Slipyj; Volodymyr Popovych’s sketch of sculptor Nina Levytska (1902–1974) and the Prague circle of Ukrainian artists who gathered around the Ukrainian Studio of Plastic Arts; Petro Palashevskyi’s article “Perhaps to Church—for Supper?”; a review of the graphic design of Ukrainian book publications; and an art and obituary chronicle. The issue concludes with the Ukrainian Art Studio in Philadelphia’s report for the 1975–1976 academic year: a posthumous exhibition of Vyacheslav Vaskivskyi, Petro Mehyk’s lecture on the work of Vasyl Krychevskyi, and student works.\u003c\/p\u003e\u003cp\u003eThe journal was published by the Philadelphia Branch of the Ukrainian Artists’ Association; it was edited by Petro Mehyk (1899–1992). “Notes” appeared from 1963 to 1990 in thirty issues and served as the principal chronicle of the artistic life of the Ukrainian diaspora: art history articles, monographic sketches, exhibition reviews, and obituaries. The small print runs were distributed by subscription, so individual issues are rarely found in Ukraine.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589811908979,"sku":"SKU-00208","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528938307955.jpg?v=1793987624"},{"product_id":"annals-ukrainian-academy-arts-sciences-us-vol-3-no-2-1953","title":"The Annals of the Ukrainian Academy of Arts and Sciences in the U.S. Vol. III, No. 2 (8). New York, 1953","description":"\u003cp\u003eThe Annals of the Ukrainian Academy of Arts and Sciences in the U.S. Vol. III, No. 2 (8), Fall–Winter 1953 \/ editor Michael Vetukhiv; editorial committee: Dmitry Čiževsky, Oleksander Granovsky, Roman Smal Stocki, Volodymyr P. Timoshenko; technical editor Henry M. Nebel, Jr.\u003c\/p\u003e\n\u003cp\u003eNew York: The Ukrainian Academy of Arts and Sciences in the U.S., Inc., 1953. — pp. 605–744. — In English. Price of a single issue $1.50, annual subscription $6.00.\u003c\/p\u003e\n\u003cp\u003ePublished in a softcover of textured grayish-white paper with flecks of fiber: on the front side — the contents of the issue, on the inside — the editorial board and the Academy's stamp. The edges of the cover and the spine have darkened, on the back side there are occasional small spots. The block is firm, the paper has a slight yellowing, on the edges of several sheets near p. 620 — brown spots. On the front cover is a round ink stamp of the Reed College library with the date of receipt \"Jun 15 1954\", above it in blue ink \"Temp\", \"Yakovliv\" and library numbers; in the contents a checkmark opposite the Yakovliv article; on p. 605 a pencil underline and a line in the margin. Condition: good.\u003c\/p\u003e\n\u003cp\u003eThe publication has historical and cultural value and is of collector's interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHalf of this issue is devoted to the most mysterious monument of Ukrainian historical thought — \"Istoriya Rusov\", an anonymous treatise of the late 18th century, whose author has been sought for over a hundred years. Andriy Yakovliv (1872–1955) in the article \"Istoriya Rusov and its Author\" (pp. 620–669) examines the entire controversy — from Archbishop George Konysky to the Puletsky family, father and son — and argues for the version of Oleksandr Bezborodko. Oleksandr Oglioblin (1899–1992) responds with an investigation \"Where Was Istoriya Rusov Written?\" (pp. 670–695) — about the environment in which the monument arose. The issue opens with an English translation of a chapter from \"Ukraine at the Turning Point\" by Vyacheslav Lypynsky (1882–1931) about the fateful year 1653 for Bohdan Khmelnytsky — the sixth in a series of translations of Ukrainian sources.\u003c\/p\u003e\n\u003cp\u003eYurii Shevelov (1908–2002), here under the pseudonym Yury Šerech, writes a review article about the Ukrainian influence on the Polish language in the 16th–17th centuries based on the book by Stefan Grabiec (Toruń, 1949) and dedicates it to the sixtieth birthday of Dmytro Chyzhevsky. Further — reviews by Ivan Lysiak-Rudnytsky and Michael Luther, obituaries of Valentyna Radzymowska, Yurii Tyshchenko, Nykyfor Hryhoriev and Ivan Dubinets, Academy chronicle.\u003c\/p\u003e\n\u003cp\u003e\"Annals\" — an English-language scientific journal of the Ukrainian Free Academy of Sciences in the U.S., published in New York since 1951; until 1959 it was edited by Mykhailo Vetukhiv (1902–1959), the editorial board included professors from Harvard, Minnesota, Marquette and Stanford. The journal opened the path for the works of emigrant scholars in English to Western Slavic studies. This copy arrived at the Reed College library in Portland, Oregon, six months after publication.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589812040051,"sku":"SKU-00210","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528938439027.jpg?v=1793987626"},{"product_id":"zbirnyk-ukrainskoi-literaturnoi-hazety-1956-miunkhen-1957","title":"Collection of the \"Ukrainian Literary Gazette\" 1956. Munich, 1957","description":"\u003cp\u003e\u003cem\u003e“Franko undoubtedly belongs not to the CPSU. But for now, not to us either…”\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eCollection of the “Ukrainian Literary Gazette” 1956 \/ edited by Ivan Koshelevets and Yurii Lavrynenko.\u003c\/p\u003e\n\n\u003cp\u003eMunich: Ukrainian Society of Overseas Studies, 1957. — 336 pp. — Printed by Biblos, München 13, Heßstraße 50–52.\u003c\/p\u003e\n\n\u003cp\u003ePublisher’s dust jacket: on a blue background, a cream-colored illustration depicts a large antique amphora with the handwritten inscription “collection 1956” and a printed title at the top; in the lower right corner of the amphora is the monogram “Г”; cream-colored endpapers with the printed title; blank back cover. The dust jacket shows wear and soiling throughout, with bumped corners and tears and creases in the paper at the top of the endpaper; the top edges of the pages show minor losses. The paper has natural yellowing; the binding is firm; the pages are clean. The back cover bears a pencil-drawn number in the upper corner. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe book has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe annual collection summarizes the 1956 issues of the Munich-based “Ukrainian Literary Gazette” and is compiled as a full-fledged scholarly and literary volume. It opens with a section on Franko dedicated to the centenary of the writer’s birth: Yurii Lavrynenko, “Some Thoughts on the Evolution of Ivan Franko’s Worldview and Political Thought”; Volodymyr Doroshenko, “Soviet Franko Studies”; and Lyubomyr Vynar, “The Historical Works of Ivan Franko.” This is followed by prose and poetry by Leonid Lymyn, Yurii Tarnavskyi, Yar Slavutych, Oleksa Veretenchenko, Bohdan Rubchak, Emma Andiivska, Bohdan Boichuk, Mykhailo Orest, and Yevhen Malaniuk; Dmytro Chyzhevskyi’s memoirs of Yurii Klen; Oleksandr Oloblin’s historical studies of Vasyl Kapnisty; Yaroslav Pelen’s study of Vyacheslav Lypynskyi; Andrii Zhuk’s study of the Ukrainian Socialist Party 1900–1904; Yurii Luts’kyi’s study of the sources of the history of VAPLITE; and Mykola Hlobenko’s study of Atanasyi Kalnovskyi’s “Theraturhima.” The volume concludes with a chronicle and bibliography.\u003c\/p\u003e\n\n\u003cp\u003eThe “Ukrainian Literary Gazette” was a monthly journal of literature, art, and criticism published in Munich from July 1955 to the end of 1960, edited by Ivan Koshelevets (1907–1999) and Yurii Lavrynenko (1905–1987) and published by the biweekly “Contemporary Ukraine.” Based on these two publications, the journal “Susmist” was founded in January 1961 and became the central periodical of the Ukrainian emigration in the following decades. The 1956 collection captures the moment when the newspaper page grew into a thick journal.\u003c\/p\u003e\n\n\u003cp\u003eThe volume was published by the Ukrainian Society of Overseas Studies, a Munich-based organization that took over the publication of “Contemporary Ukraine” and its literary supplements in 1956; the collection was printed by Biblos in Munich, the printer of most Ukrainian emigré publications of that period. The texts in this volume are still cited in Franko studies, Kapnisty studies, and studies of VAPLITE, with reference specifically to the 1957 Munich edition.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589844775283,"sku":"SKU-00417","price":4500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528952955251.jpg?v=1793986023"},{"product_id":"notatky-z-mystetstva-ukrainian-art-digest-ch-30-filadelfiia-1990","title":"Notes on Art = Ukrainian Art Digest. Part 30. Philadelphia, November 1990","description":"\u003cp\u003eNotes on Art = Ukrainian Art Digest. Issue 30, November 1990 \/ editorial board: Mykhailo Dmytrenko, Vasyl Doroshenko, Petro Mehyk, Stepan Rozhok, Volodymyr Shyprykevych; technical editor Petro Mehyk.\u003c\/p\u003e\u003cp\u003ePhiladelphia: published by the Philadelphia Branch of the Ukrainian Artists’ Association, 1990. — Ill., incl. color. — (Ukrainian Artists’ Association in America. Philadelphia Branch). — ISSN 0550-0850. Print run: 1,000 copies. Offset printing and binding: Myron Babchuk Printing, Printing Methods, Inc., Rochester (New York). Illustration captions in Ukrainian and English. Price on back cover: $10.00.\u003c\/p\u003e\u003cp\u003ePublished in a softcover of peach-colored paper with a leather-embossed texture: calligraphic title in gray, English title on an olive-gold plaque, Ukrainian Artists’ Association emblem in the center; saddle-stitched. Cover is clean, with minor scuffs and a small tear along the bottom edge of the back cover. A light blue printed label is pasted on the inside front cover. Block paper is white, with no yellowing; no inscriptions or underlining. Condition: very good.\u003c\/p\u003e\u003cp\u003eThe last issue of the journal. The publication has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe thirtieth issue was a farewell edition. It opens with Vasyl Doroshenko’s essay “The Twelfth Strike,” with an epigraph from Shevchenko: the editor-in-chief’s ninety-second year had come and gone, and the sale of the Syretskyi Home had deprived the journal of the renowned printing house in which it had been published. As stated in the publication details, this issue came into being only thanks to benefactors: Vira Doroshenko-Shapovalenko and her husband Anatoliy provided free space for printing presses in their machine shop, while Adam Kutelmak personally transported and installed the equipment from the defunct printing house. Design and initials — Vasyl and Oleksandra Doroshenko.\u003c\/p\u003e\u003cp\u003eContents: Svyatoslav Hordynskyi on Petro Kholodnyi the Younger, “traditionalist and innovator”; Yurii Turchenko on “Notes on Art” as a phenomenon in Ukrainian art history, the culmination of three decades of the journal; V. Ladyzhynskyi on the graphics of Nylo Khasevych (1905–1952), with his woodcut “The Shepherdess” (1935) and a 1930s photogravure; Stepan Rozhok on Petro Mehyk’s seventieth birthday; Volodymyr Shyprykevych on Valentyn Symianets; Serhii Bilokyn on the Ukrainian medals of Yianis Stroupolis; obituary and art news. Among the color reproductions are Tymofiy Mesak’s “Lyudmyla” (1953), Mykhailo Dmytrenko’s “Pentecost,” Vasyl Krychevskyi’s “The Cart, the Interior of the House” (1939), and Vasyl Doroshenko’s “Vanda” (1961).\u003c\/p\u003e\u003cp\u003eThe journal was published by the Philadelphia Branch of the Ukrainian Artists’ Association; it was founded and edited without interruption by the painter Petro Mehyk. “Notes” was published from 1963 to 1990, with thirty issues, and was the diaspora’s most comprehensive periodical on art. Small print runs were sold by subscription, so individual issues are rare in Ukraine, and the final one especially so.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589846249843,"sku":"SKU-00433","price":1200.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528954134899.jpg?v=1793989365"},{"product_id":"notatky-z-mystetstva-ukrainian-art-digest-ch-28-filadelfiia-1988","title":"Notes on Art = Ukrainian Art Digest. Part 28. Philadelphia, December 1988","description":"\u003cp\u003eNotes on Art = Ukrainian Art Digest. Issue 28, December 1988 \/ editorial board: Mykhailo Dmytrenko, Vasyl Doroshenko, Petro Mehyk, Stepan Rozhok; technical editor Petro Mehyk.\u003c\/p\u003e\u003cp\u003ePhiladelphia: published by the Philadelphia Branch of the Ukrainian Association of Artists in America, 1988. — Ill., incl. color. — (Ukrainian Association of Artists in America. Philadelphia Branch). — ISSN 0550-0850. — Print run: 1,000 copies. — Color reproductions, offset printing, and binding — Myron Babchuk Printing House (Printing Methods, Inc., Rochester); printing — Orphanage Printing House, Philadelphia. Layout and initials — Vasyl Doroshenko with the help of his wife Oleksandra. Illustration captions in Ukrainian and English. Price on back cover: $10.00.\u003c\/p\u003e\u003cp\u003ePublished in a softcover of peach-colored paper with an embossed leather-like texture: title in burgundy calligraphy, English title on a gray-blue panel, and the blue emblem of the Philadelphia Branch in the center; staple-bound. The cover is clean and even, with a few small dark spots on the back. There is a small brown spot on the edge of the table of contents page. The text block is white, without yellowing; there are no inscriptions, stamps, or underlines. Condition: very good.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is of collector interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe issue opens with Sviatoslav Hordynskyi's (1906–1993) article \"At the Turning Point\" — about how Gorbachev's \"glasnost\" first opened the door between the art of Soviet Ukraine and the diaspora. From October 29 to November 11, the Ukrainian Institute of America in New York, near the Metropolitan Museum, hosted the exhibition \"Contemporary Art of Ukraine\" by thirteen artists — among them Ivan Marchuk, Tiberius Sylvash, Andrii Chebykin, Fedor Humenyuk, Lyubomyr Medvid, and Serhii Yakutovych. Hordynskyi writes that the \"Ukraine\" society, which for years had branded emigrant artists, first tried to show the exhibition through New York \"progressives,\" and it was only the representatives of the Ukrainian SSR at the UN who presented it to the artistic circles of the diaspora. His assessment is restrained: the works were technically of a high level, but they lacked masters of the caliber of Opanas Zavalikha.\u003c\/p\u003e\u003cp\u003eNext — Volodymyr Popovych's article about the Parisian painter Vasyl Khmeliuk (1903–1986) with a color reproduction of his \"Port\" (oil, 1948); Oleh H. Zavadovych's memoir about Illa Shulga (1878–1938) — a student of Mykola Murashko and Ilya Repin, the author of the government-commissioned canvas \"The Entry of the Soviet Government into Kyiv,\" whose characters — Kosior, Lubchenko, Skrypnyk — were later consumed by Stalinist terror; Volodymyr Shyprykivych's survey \"Ukrainian Church Architecture\"; obituary and art chronicle. Among the color reproductions — Yukhym Mykhailiv's (1885–1935) \"Garden from Ukraine,\" signed as his last still life: a 1934 watercolor from Cotlas; Stepan Rozhok's (1987) \"Common Prayer\" with the dates 988–1988 in honor of the millennium of the Christianization; Petro Mehyk's (1978–1979) \"Portrait of Sculptor V. Simyantsev\" and Shulga's 1936 self-portrait.\u003c\/p\u003e\u003cp\u003eThe journal was published by the Philadelphia Branch of the Ukrainian Association of Artists in America; it was edited by Petro Mehyk (1899–1992). \"Notes\" was published from 1963 to 1990, with thirty issues, and was the main chronicle of the artistic life of the Ukrainian diaspora. Small print runs were sold by subscription, so individual issues are not often found in Ukraine.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589846315379,"sku":"SKU-00435","price":1200.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528954200435.jpg?v=1793989367"},{"product_id":"notatky-z-mystetstva-ukrainian-art-digest-ch-25-filadelfiia-1985","title":"Notes on Art = Ukrainian Art Digest. Part 25. Philadelphia, September 1985","description":"\u003cp\u003eNotes from Art = Ukrainian Art Digest. Issue 25, September 1985 \/ editorial board: Mykhailo Dmytrenko, Vasyl Doroshenko, Petro Mehyk, Stepan Rozhok, Volodymyr Shyprykevych; technical editor Petro Mehyk.\u003c\/p\u003e\u003cp\u003ePhiladelphia: published by the Philadelphia Branch of the Ukrainian Association of Artists in America, 1985. — Ill., incl. color. — (Ukrainian Association of Artists in America. Philadelphia Branch). — ISSN 0550-0850. Print run: 1,000 copies. Color reproductions, offset printing, and binding — Myron Babchuk Printing House (Printing Methods, Inc., Rochester); printing — Orphanage Printing House, Philadelphia. Graphic design and initials by Vasyl Doroshenko. Illustration captions in Ukrainian and English. Price on back cover: $10.00.\u003c\/p\u003e\u003cp\u003ePublished in a softcover of peach-colored paper with a textured leather-like finish: title in red-brown calligraphy, English title on a silver plaque, silver emblem of the Ukrainian Association of Artists in America in the center; saddle-stitched. Light wear to the silver on the plaque and a short pen mark near the right edge on the front cover; brown spots on the lower part of the back cover. Text block paper is white, without yellowing; no inscriptions or underlines. Condition: good.\u003c\/p\u003e\u003cp\u003eProvenance: Library of Congress of the United States stamp with seal and “Surplus-1 \/ Library of Congress \/ Duplicate” stamp on the title page — duplicate copy, withdrawn from the library’s collection.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is of collectible interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIssue twenty-five opens with Volodymyr Shyprykevych’s article “Looking Back,” about how the magazine itself is made. Vasyl Doroshenko plans each issue, draws the initials, sets the layout, and prepares the pages for offset printing; language editing up to the 10th was done by Maria Strutynska. Proceeds from sales, together with donations to the press fund, barely cover printing and mailing costs, so the entire publication is sustained by the unpaid work of enthusiasts. Further — Yuriy Turchenko on Taras Shevchenko as a graphic artist on the occasion of the 170th anniversary of his birth; Yevhen Blakyitnyi on Lyudmyla Morozova’s creative path; Theodore Teren-Yuskiv on Mykhailo Dmytrenko’s polychromy in the Church of St. George in New York; Volodymyr Popovych on Severyn Borachok (1898–1975); Svyatoslav Hordynskyi on Ilona Sochynska’s painting; Ivan Keivan on 35 years of artists’ work in Philadelphia; Vasyl Doroshenko’s obituary and art chronicle and essay “Where Are You Going?”\u003c\/p\u003e\u003cp\u003eA separate sketch is dedicated to the memory of Myron Bylynskyi (1914–1984) — graphics from Yanchyn in Halychyna, a graduate of the Kraków Academy of Fine Arts (1935–1939), who later turned to monumental church painting; it is illustrated with a woodcut for the song “Tsvila, Tsvila Kalynolka.” Among the color reproductions are Hryhoriy Smolskyi’s “A Patch of Grass, a View of the Pistiynka Ridge” (oil, 1962, from the collection of V. and O. Shyprykevych), Fr. Yuvynaliia Mokrytskyi’s “The Protection of the Most Holy Mother of God” from the Cathedral of Saint Sophia in Rome, Tania Osadets’s “Tree of Life” (tempera), Lyudmyla Morozova’s “Poltava Landscape,” Mykhailo Dmytrenko’s “The Virgin and Child” — a detail of the “Deesis” from the triumphal arch of the Church of St. George (1984), Volodymyr Savchak’s “Artists in the Studio” (oil, 1960).\u003c\/p\u003e\u003cp\u003eThe magazine was published by the Philadelphia Branch of the Ukrainian Association of Artists in America; it was edited by Petro Mehyk (1899–1992). “Notes from Art” appeared from 1963 to 1990 in thirty issues and was the main chronicle of the artistic life of the Ukrainian diaspora. Small print runs were sold by subscription, so individual issues are rarely found in Ukraine.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589846348147,"sku":"SKU-00436","price":1200.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528954233203.jpg?v=1793989367"},{"product_id":"notatky-z-mystetstva-ukrainian-art-digest-ch-23-filadelfiia-1983","title":"Notes on Art = Ukrainian Art Digest. Part 23. Philadelphia, December 1983","description":"\u003cp\u003e\u003cem\u003e“When I write, I have the impression that I am writing into a void; there is no reaction whatsoever to my literary work.” — Mykhailo Andrienko-Nechytailo\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eNotes on Art = Ukrainian Art Digest. Issue 23, December 1983 \/ editorial board: Mykhailo Dmytrenko, Vasyl Doroshenko, Petro Mehyk, Stepan Rozhok, Maria Strutynska, Volodymyr Shyprykevych; technical editor Petro Mehyk.\u003c\/p\u003e\u003cp\u003ePhiladelphia: published by the Philadelphia Branch of the Ukrainian Catholic Archdiocese, 1983. — Illus., incl. color. — (Ukrainian Artists in America. Philadelphia Branch). — Print run of 1,000 copies. Offset printing and binding: Myron Babchuk Printing Methods, Inc., Rochester; Orphanage Printing House, Philadelphia. Graphic design and initials — Vasyl Doroshenko with the assistance of his wife, Oleksandra. Illustration captions in Ukrainian and English. Price on back cover: $10.00.\u003c\/p\u003e\u003cp\u003ePublished in a softcover of peach-colored paper with a textured, leather-embossed finish: calligraphic title in blue, English title on a red panel, and the Ukrainian Catholic Archdiocese emblem in the center; pages stapled. Cover is clean, with occasional small spots on the front and back. Block paper is white, without yellowing; no inscriptions, stamps, or underlining. Condition: very good.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is of collector interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe issue opens with a reproduction of the final work by Petro Andrusiv (1906–1981), the monumental canvas “The Baptism of Ukraine-Rus” (oil, 1981, 180 × 360 cm), from the collection of the Ukrainian Catholic Archdiocese in Philadelphia. This is followed by Yurii Turchenko’s article “The Current Problem of Ukrainian Art”; Volodymyr Popovych’s essay on Mykhailo Andrienko-Nechytailo (1894–1982), featuring his 1926 theatrical set design and a list of three monographs on the artist — Volodymyr Sichynskyi (Lviv, 1934), Popovych himself (Munich, 1969), and Jean-Claude and Valentina Marcade (Lausanne, 1978); Pavlo Lopata’s jubilee article “Oleksa Hryshchenko (Toward His 100th Birthday),” with a color reproduction of “Flowers” (1959); V. Ladyzhynskyi’s essay on Mykhailo Kmit (1910–1981); Marta Antonovych-Rudnytska’s article on the forty-year artistic career of Yakiv Hnyzdovskyi. Among the color inserts are Liudmyla Morozova’s “Landscape from Ukraine” and Mykhailo Dmytrenko’s mosaic “The Last Supper” for the iconostasis of St. George’s Church in New York, executed in the studio of Professor Ugo Mazzei in Rome. The issue concludes with the obituary and art chronicle and the report of the Ukrainian Art Studio in Philadelphia.\u003c\/p\u003e\u003cp\u003eThe journal was published by the Philadelphia Branch of Ukrainian Artists in America; it was edited by Petro Mehyk (1899–1992). “Notes” was published from 1963 to 1990, with thirty issues, and served as the principal chronicle of the artistic life of the Ukrainian diaspora. Small print runs were distributed by subscription, so individual issues are rarely found in Ukraine.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589846413683,"sku":"SKU-00438","price":1200.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528954298739.jpg?v=1793989367"},{"product_id":"notatky-z-mystetstva-ukrainian-art-digest-ch-22-filadelfiia-1982","title":"Notes on Art = Ukrainian Art Digest. Part 22. Philadelphia, September 1982","description":"\u003cp\u003eNotes on Art = Ukrainian Art Digest. Issue 22, September 1982 \/ editorial board: Mykhailo Dmytrenko, Vasyl Doroshenko, Petro Mehyk, Stepan Rozhok, Maria Strutynska, Volodymyr Shyprykevych; technical editor Petro Mehyk.\u003c\/p\u003e\u003cp\u003ePhiladelphia: published by the Philadelphia Branch of the Ukrainian Artists’ Association, 1982. — Illus., incl. color. — (Ukrainian Artists’ Association in America. Philadelphia Branch). — Print run: 1,000 copies. Offset printing: George H. Buchanan Co.; binding: Novelty Bookbinding Co., Philadelphia. Typography and initials — Vasyl Doroshenko. Illustration captions in Ukrainian and English. Price on back cover: $10.00.\u003c\/p\u003e\u003cp\u003ePublished in a softcover with peach-colored paper and a textured, leather-like finish: title in red calligraphy, English title on a gray panel, and the Ukrainian Artists’ Association emblem in the center; pages stapled. Cover is clean, with a few small dots on the front and barely noticeable spots near the spine on the back. Block paper is white, with no yellowing; no inscriptions, stamps, or underlining. Condition: very good.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe issue opens with a reproduction of Illia Shulha’s painting “Ukrainian Insurgents During the Struggle for Liberation in Ukraine” (oil, 1913) and Yevhen Blakytnyi’s article “The Morality of Despair or Faith? (On the Problem of Contemporary Art).” This is followed by Lyubomyr Kuzmy’s memoir of the historical painter Petro Andrusiv (1906–1981), a member of the journal’s editorial board; Vsevolod Karmazyn-Kakovsky’s sketch of Yuriy Narbut (1886–1920); Vasyl Bark’s essay “The Light of Images”; Volodymyr Popovych’s article on Serhii Marko (1885–1953); a review of the graphic design of Ukrainian book publications; and an obituary and art chronicle for 1981 — including Yakiv Hnyzdovsky’s exhibition in Chicago and a retrospective of his graphic work on the occasion of the fortieth anniversary of his creative career. Among the color reproductions are Mykhailo Dmytrenko’s “Awakening” (pastel, 1966), Iryna Tverdokhlib’s “The Hunt,” and Yevhen Chapelsky’s “Spring Flowers” (1978); the chronicle also includes ex libris by Tirs Vengrynovych.\u003c\/p\u003e\u003cp\u003eThe journal was published by the Philadelphia Branch of the Ukrainian Artists’ Association; it was edited by Petro Mehyk (1899–1992). “Notes” was published from 1963 to 1990, with thirty issues, and served as the main chronicle of the artistic life of the Ukrainian diaspora: art history articles, monographic sketches, exhibition reviews, and obituaries. Small print runs were distributed by subscription, so individual issues are rarely found in Ukraine.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589846446451,"sku":"SKU-00439","price":1200.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528954331507.jpg?v=1793989368"},{"product_id":"volia-ukrainy-ch-13-14-viden-1921","title":"Volya Ukrainy: Ukrainian Weekly. No. 13\/14. Vienna, November 1921","description":"\u003cp\u003e\u003cem\u003e“The issue of “Volya Ukrainy” delivered to Cherniakhiv 6—8 was transcribed by employees of the local “executive committee”… instead of paper… they used old prayer books and psalters.”\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eVolya Ukrainy: Ukrainian weekly. Issue 13\/14, November 5, 1921 \/ editor-in-chief Lev Shopak.\u003c\/p\u003e\u003cp\u003eVienna: [“Volya Ukrainy” editorial office and publishing house], 1921. — pp. 449–520. — Forverts Printing House. Registered by the Vienna Police Directorate under No. 918\/19.\u003c\/p\u003e\u003cp\u003eBound in orange paper covers: on the front cover, the title in a decorative frame with an ornamental vignette; on the inside cover, the table of contents; on the back cover, subscription prices for ten countries and account details for Wiener Bankverein; on the inside back cover, advertisements. The edges of the covers are worn, with minor paper loss along the spine and in the lower right corner; there is a small brown stain at the bottom of the front cover. The text block is evenly yellowed, the edges are worn, and there are brown stains along the spine; there is no loss of text. On the front cover, “32” is written in pencil, and there is a stamp in blue-violet ink: “W. Lenyk, 8 München 13, Hiltenspergerstr. 75.” Condition: good.\u003c\/p\u003e\u003cp\u003eThe periodical is of historical and cultural value and is of interest to collectors.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“Volya” was a political weekly published in Vienna from June 1919 to November 1921; toward the end, it changed its name to “Volya Ukrainy” and advertised itself as the largest Ukrainian journal abroad. The periodical was published and edited by the physician and publicist Viktor Pysnyachevsky (1883–1933); also working in the editorial office were I. Murksyi, S. Adelsberger, and Lev Shopak, who is credited as editor-in-chief in this issue. “Volya” provided detailed coverage of events in Ukraine during the final stage of the liberation struggle, life in the emigration, and the policies of Western states toward Ukraine, and it remains one of the important sources for the history of that era. This double issue from November 5, 1921, is one of the last before publication ceased.\u003c\/p\u003e\u003cp\u003eThe issue opens with A. V.’s editorial “The Struggle for Power,” about Lenin’s “strategic retreat” on the economic front and concessions to foreign capital. This is followed by two letters from across the Zbruch: “The Administrative System of the District and Volost in Soviet Ukraine” by an anonymous people’s teacher—about the volkvykonkomys, komnazas, and “special departments,” and “In the Autumn Darkness…”—about insurgents, the Cheka, famine, and looting in Podillia and Zhytomyr Oblast. O. H. describes the opening ceremony of the Ukrainian Free University in Prague. The literary section consists of prose and poetry by Klym Polishchuk, short stories by Fedir Dudko and V. Dykansky, and the essay “From the Sea of Life” by Andrii Horlenko—who wrote under this pseudonym. The issue concludes with reviews of events in Ukraine, Poland, and Russia, an emigration chronicle, a review of the book “The Independence of Belarus and Poland” by the Belarusian activist A. Tsvikevich, and satirical “Subitky” with a biting parody of Petro Karmanisky.\u003c\/p\u003e\u003cp\u003eThe advertisements in this issue offer a cross-section of the Viennese Ukrainian community in 1921: an announcement for Herman Goldschmidt’s bookstore on Wolczajle, the non-periodical “Pismya” “Chornohor” by Dr. K. Trylovsky for workers and farmers, I. Bochkivsky’s new book about Masaryk, the Russian-language “Vol’na Litva” from Kovno, and piano lessons by Hali Levytska, a graduate of the Vienna Academy of Music. The subscription price list gives prices in crowns, Polish marks, francs, shillings, dollars, lire, and leys—from 100 crowns per issue in Austria to 15 cents in America—and for subscribers from Galicia, Volyn, and Chelm, the editorial office referred them to the NTSh bookstore in Lviv.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589853983091,"sku":"SKU-00541","price":2500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528961540467.jpg?v=1793986920"},{"product_id":"yunak-zhurnal-plastovoho-yunatstva-ch-2-1963","title":"Yunak: Journal of Plast Youth. Vol. 1, No. 2, March 1963. Arlington; Toronto","description":"\u003cp\u003eYunak: A Scouting Youth Magazine. Year I, No. 2, March 1963 \/ Published by the Main Plastova Buława; Edited by the Editorial Board; Managing Editor Lyubomyr Onyshkevych; Illustrator Tyt Hevryk; Technical Design Myron Bab'yuk; Copy Editing Levko Roman; Illustrations by Tyt Hevryk, Motrya Holovynska, and Yarema Kozak.\u003c\/p\u003e\n\u003cp\u003eArlington, Mass.; Toronto: Main Plastova Buława, 1963. — 24 pp.: illus. — Printed by Kiev Printers Limited, 686 Richmond St. W., Toronto. — Print run: 2,000 copies. Published bimonthly.\u003c\/p\u003e\n\u003cp\u003ePublication cover: on a cream background, a hand-painted \"Yunak\" logo; below it, a blue-printed photograph of a winter forest river, enclosed in a thick, irregular black border; at the bottom, the designation \"No. 2 \/ Year I\". Slight rubbing and creases along the edges, minor paper tears along the left edge of the front cover near the staples, diagonal creases on the back cover, and occasional small stains at the bottom of the back cover. The paper shows slight yellowing along the edges; the stapled binding is sturdy, the sheets are complete, and the text and line drawings are clear. No inscriptions, stamps, or ex libris. Condition: good.\u003c\/p\u003e\n\u003cp\u003eThis issue has historical and cultural value, and its design is of independent artistic interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA magazine for Plastov youth, produced to the standard of a professional children's publication: hand-painted headings, caricatures, comics, and full-page illustrations. This issue includes \"With the help of Old Wolf\" with a sketch about Lesya Ukrainka (signed \"L-ka\" by the editorial board), a story about Kipling's Kim, and a selection of \"Kim's game\" for observation, the \"Secrets of the Interesting World\" series (secrets of the Maya, Kukulkan, \"The King and the Dwarf\" — the legend of the dwarf's pyramid in Ushmal, who invented basketry), \"The Mowgli Brothers\", crafts, \"Hocus-Pocus\", riddles, and the \"Plastov Smiles\" page from the notebook of Plastov youth Yarema Kozak.\u003c\/p\u003e\n\u003cp\u003e\"Yunak\" was published by the Main Plastova Buława: the editorial board was located in Arlington, near Boston, and the administration was based at the Plastov headquarters in Toronto on Bloor Street. The design and most of the illustrations are by Tyt Hevryk (b. 1936) — later an architect and art historian, a full member of the NTSH in the USA, and the author of works on the lost architecture of Kyiv; technical design by Myron Bab'yuk.\u003c\/p\u003e\n\u003cp\u003eThe print run of 2,000 copies was distributed by subscription among Plastov youth in America and Canada; issues never reached libraries in Ukraine, so early issues of the first year are rare.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589854441843,"sku":"SKU-00545","price":600.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528961999219.jpg?v=1793989393"},{"product_id":"estafeta-ch-1-niu-iork-toronto-1970","title":"Estafeta: A Journal of Literature, Art, Science, and Criticism. Part 1. New York — Toronto, January 1970","description":"\u003cp\u003eEstafeta: A journal of the Association of Ukrainian Cultural Workers, published twice a year: literature, art, science, criticism. Part 1 \/ [editor-in-chief Bohdan Stabelsky; language editor Vyacheslav Davydenko; cover design by Volodymyr Lasovsky].\u003c\/p\u003e\n\u003cp\u003eNew York; Toronto: Association of Ukrainian Cultural Workers, January 1970. — 254 pp.: illus. Printed by the Publishing Union “Homyn Ukrainy,” Toronto.\u003c\/p\u003e\n\u003cp\u003ePublished in an illustrated cover of cream paper with an embossed fabric texture: the title “Estafeta” in white handwriting on a blue band, below it the large red letters “АДУК” and red inscriptions. Inside are reproductions of works by Volodymyr Balyas, Mykhailo Kushnir, Anton Maliukha, and Mykhailo Chereshniovsky, Kushnir’s figurative compositions, and Zhdan Lasovsky’s abstract compositions. The cover is slightly yellowed, with one dark spot on the front side. The back side has extensive yellow-brown stains: a round stain on the left, a smudge near the left edge, foxing, and darkening along the edges and in the lower right corner. The edges of the block are yellowed, and the upper corner of one sheet is dog-eared. On the top of the front cover, there is an inscription in pencil; on the title page, an indistinct cipher and inscription in pencil; on the table of contents page, the number “40” in pencil. Condition: good.\u003c\/p\u003e\n\u003cp\u003eThe first issue of the Aduk journal; only two issues were published—in 1970 and 1974. This publication of the diasporic Association of Ukrainian Cultural Workers is of historical and cultural value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Estafeta” is a literary and art journal of the Association of Ukrainian Cultural Workers (Aduk), which was published only twice: in January 1970 and in 1974. The first issue opens with Mykhailo Kushnir’s article “Personalist Criticism” (pp. 5–19), followed by sections on poetry, prose, and drama, “Gallery of Creative People,” Volodymyr Havryliuk’s “Philosophical Arabesques,” Bohdan Romanenchuk’s literary portrait of Yevhen Malaniuk, “Problems and Discussions,” “Documentation of Facts,” a book review section, reviews, and a literary and art chronicle. Among the authors are Mykola Arkas, Ivan Kovaliv, Alla Kossovska, Leonid Poltava, Yurii Tys, Ihor Shankovsky, Ariadna Shum, and Oleh Zenon Lysiak. The drama section includes John Millington Sing’s “The Riders to the Sea” and Yurii Tys’s “The Apple Blossom Branch.”\u003c\/p\u003e\n\u003cp\u003eAduk is an association of Ukrainian writers, artists, actors, journalists, and scholars outside Ukraine; it was founded in Toronto on June 6, 1965. The Association’s first president was Mykhailo Kushnir (1897–1988), a painter, art historian, and publicist, and author of four woodcut albums; from 1970, it was headed by Bohdan Stabelsky, the journal’s editor-in-chief (died 1994). The cover was designed by Volodymyr Lasovsky (1907–1975), a painter and art theorist and one of the members of Aduk’s first governing board.\u003c\/p\u003e\n\u003cp\u003eThe issue was printed at the Publishing Union “Homyn Ukrainy” press in Toronto—publisher of the eponymous weekly newspaper, which also published Aduk’s monthly supplement “Literature and Art.” The journal had only two issues, so each of them constitutes an integral part of the Association’s small publishing series.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589860012403,"sku":"SKU-00620","price":4500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528967078259.jpg?v=1793986011"},{"product_id":"kalendar-almanakh-novoho-shliakhu-1986-toronto","title":"New Path Calendar-Almanac for 1986. Toronto, 1985","description":"\u003cp\u003e\u003cem\u003e“They ask us what race we are and for whom we pave our paths…”\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eNew Pathway calendar-almanac for 1986 \/ compiled and edited by V. Veryha; cover and graphic design by artist Pavlo Lopata.\u003c\/p\u003e\n\n\u003cp\u003eToronto, Ontario: printed and published by New Pathway (New Pathway Publishers Limited, College Street), [1985]. — 207 pp.: illus. — Approx. 21 × 14 cm. Print run not stated. The title page bears only the year 1986—the year for which the calendar was compiled.\u003c\/p\u003e\n\n\u003cp\u003eThe illustrated dust cover features blue and yellow print on a cream background, with a portrait of Symon Petliura framed by oak and laurel leaves, beneath which is a ribbon bearing the dates “1926–1986”; the monogram “P. L.” appears at the lower right. The back cover contains an advertisement for the Toronto furniture company Rochester Furniture. The cover shows uniform yellowing and soiling, with a dark stain at the top of the back cover; the corners are slightly bumped, but there are no tears or losses to the paper. The text block is firm, and the pages are clean and free of underlining. The title page bears two signatures in black ink—one above the title and one below the date. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eCopy with two signatures on the title page. The publication has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe almanac was compiled to mark the 60th anniversary of Symon Petliura’s assassination—hence the portrait on the cover and the dates “1926–1986.” The book opens with Maksym Hryv’s (M. Zahryvnyi) poem “We,” first published in 1926 in the journal Derzhavna Natsiia, the organ of the Ukrainian National Legion. This is followed by a church calendar for each month with parallel columns for the Julian and Gregorian calendars, an extensive historical calendar, a general church manual, and over twenty articles and memoirs: Ryszard Tożetsky on the attitude of the Hitlerite security service toward churches in the East; Zenon Hoshovsky and Petro Osoba with reminiscences of the war years; Vasyl Veryha on Nikandr Bukovsky and the tragedy of the Lemko village of Zavadka; Dubravka Poliak-Makarukha on Ukrainian laments and Croatian-Serbian epic songs; a sketch of the history of medical education in Ukraine; and Orest Masikevych’s poetry. Yuriy Kulchytsky’s lead article on Petliura’s assassination is written in the spirit of the version alleging a Moscow-ordered plot and contains antisemitic phrasing typical of some emigré polemics of those years—we note this as a feature of the historical document rather than as an endorsement.\u003c\/p\u003e\n\n\u003cp\u003eThe compiler Vasyl Veryha (1922–2008) was a historian, bibliographer, and polemicist, born in Kolodrybka in the Zalishchyany region; he joined the “Galicia” division in 1943, was held in camps in Italy and Great Britain after the war, and lived in Canada from 1951. In 1961–1987, he was a librarian and head of the Slavic Cataloging Section at the University of Toronto. He appears three times in the contents of this almanac—under his surname, under the pseudonym “V. V-ha,” and under the name Vasyl Zhurbenko. The cover and graphic design were by Pavlo Lopata (b. 1945), a Toronto artist of Lemko descent, graphic artist, and polemicist.\u003c\/p\u003e\n\n\u003cp\u003eNew Pathway was founded in 1930 in Edmonton as the press organ of the Sich Riflemen veterans; within two years the journal became the official organ of the Ukrainian National Association of Canada and gradually moved its base eastward—to Saskatoon, Winnipeg, and from 1977 onward, Toronto. Annual calendar-almanacs were published with the newspaper for decades and served the Canadian community as a household church calendar, a historical reader, and a literary anthology. The print runs were distributed by subscription within the community and did not reach libraries in Ukraine; signed copies are rare.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589860766067,"sku":"SKU-00634","price":500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528967831923.jpg?v=1793989396"},{"product_id":"halychanyn-ch-1-lviv-1869","title":"Halychyna: A Scientific and Literary Appendix to \"Slovo\". Part 1. Lviv, January 1869","description":"\u003cp\u003e\u003cem\u003e“Know, O Cossack, our Sлуч!”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eHalychynyn: a scholarly and literary supplement to Slovo. Issue 1. Year III \/ [edited by B. A. Dedytskyi].\u003c\/p\u003e\n\u003cp\u003eLviv, January 22, 1869. — 16 pp. Printed by Stavropigiya. Annual subscription price 1 zloty 80 kopecks, with Slovo — 10 zlotys.\u003c\/p\u003e\n\u003cp\u003eSeparate issue without cover, in the form in which it was distributed among subscribers: on p. 1 — the periodical’s masthead with its title, subscription price, and editorial address. The paper is yellowed, with worn and frayed edges, small tears, and creases, especially along the right edge and at the corners; the upper right corner is crumpled. Brown stains and darkening along the inner edge of the first page, moisture stains on the outer margin of p. 3, scattered spots on p. 16, including a small red dot in the text. The text is complete and clearly legible. Condition: good.\u003c\/p\u003e\n\u003cp\u003eHistorical and cultural value: a monument of Galician periodicals from the 1860s, featuring texts about Khmelnytskyi’s Ukraine and the Cossack era.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe issue opens with a continuation of Narodna istoriya Rusy — a chapter on Bohdan Khmelnytskyi’s campaign in Volhynia and the Battle of Pyliavtsi in 1648: negotiations with Voivode Kysel, the Cossack army’s march from Bila Tserkva to the Sлуч River, and the Hetman’s proud words: “Know, O Cossack, our Sлуч!” This is followed by A. Razin’s historical novella Hetman Stepan Ostryanytsia about Cossack life during the Union era and the rule of the Vyshnevetsky family. Both texts end with the words “To be continued.”\u003c\/p\u003e\n\u003cp\u003eHalychynyn (1867–1870) was a fortnightly socio-political and literary supplement to the Lviv-based Slovo, the main organ of Galician Moscowophiles; a total of 90 issues were published. It was published and edited by Bohdan Dedytskyi (1827–1909), a poet, prose writer, and journalist who edited Slovo from 1861 to 1871. The periodical was printed in yazyk—an artificial mixture of Ukrainian and Russian—and contained articles on Ukrainian history, poems by Mykhailo Maksymovych, Sydor Vorobkevych, and Kornyl Ostianovych, as well as works by Ivan Turgenev and Fyodor Tyutchev.\u003c\/p\u003e\n\u003cp\u003eNarodna istoriya Rusy in the periodical was probably written by Dedytskyi himself: he published the first part of a work with this title as a separate book in Lviv in 1868. The issue was printed at the Stavropigiya Institute press, which had inherited the press of the Lviv Uspensky Brotherhood. It demonstrates how the Galician press of the 1860s popularized Cossack history among a wide readership.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589862404467,"sku":"SKU-00663","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528969470323.jpg?v=1793987302"},{"product_id":"plastun-scout-ch-5-avgsburg-1946","title":"Plastun — Scout: a journal of Ukrainian Plast members. Part 5: The English Number. Augsburg, April 1946","description":"\u003cp\u003ePlastun — Scout: an instructional and entertaining magazine of the Ukrainian Plast in Augsburg. Issue 5 (English Number), April 15, 1946 \/ edited by the editorial board; manager V. Melnyk.\u003c\/p\u003e\u003cp\u003eAugsburg: published by the Ukrainian Plast Publishing House in Augsburg (Somme-Kaserne), 1946. — 24 pp.: illus., color maps. Printed on a rotary press with permission from UNRRA.\u003c\/p\u003e\u003cp\u003eOriginal color cover, stenciled; signatures sewn together with wire through two side openings. Yellowing of the paper, rubbing and small tears at the edges, light stains along the bottom edge of the front cover; signatures are firm, text is complete. Very good condition.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value, independent artistic value in its design, and is a bibliographic rarity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“Plastun — Scout” was an instructional and entertaining monthly magazine of the Ukrainian Plast, published in 1945–1946 in the Somme-Kaserne displaced persons camp in Augsburg. The entire magazine—from the headings and maps to the cartoons—was drawn by hand and reproduced on a rotary press, while the covers and inserts were stenciled.\u003c\/p\u003e\u003cp\u003eThe fifth issue is entirely dedicated to Great Britain. The color cover features an Elizabethan mariner with a spyglass and a young scout against the background of a sailing ship and the British flag. Inside: an essay on Robert Baden-Powell, the founder of scouting; a piece based on Kipling’s “Kim”; “Royal Mail”; an account of the Tower of London; a map of the British Empire; a full-page color spread “Mare nostrum” with portraits of mariners and warships; “Sea Cadet”; semaphore and Morse code charts. The historical calendar “April–May” commemorates Symon Petliura, who died in Paris in 1926, and Pavlo Skoropadsky, who died in Metten in 1945. The back cover features a stenciled map of Great Britain and Ireland.\u003c\/p\u003e\u003cp\u003eDP camp periodicals were published in very small editions on fragile rotary paper, so individual issues of the Augsburg “Plastun” are rarely found on the antiquarian market.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64589864468851,"sku":"SKU-00692","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15528971403635.jpg?v=1793987632"},{"product_id":"kyiv-kyiw-1958-bohdan-romanenchuk-filadelfiia-ssha-1958","title":"Kyiv = Kyiw: A Journal of Literature, Science, and the Arts. 1958 Yearbook. Philadelphia","description":"\u003cp\u003eKyiv = Kyiw: a journal of literature, science, art, criticism, and social life \/ editor and publisher Bohdan Romanenchuk. 1958 annual volume, complete set of all issues.\u003c\/p\u003e\u003cp\u003ePhiladelphia (Philadelphia, Pa.), 1958. — America Printing House, 817 N. Franklin Street. Print run not stated.\u003c\/p\u003e\u003cp\u003eLater half-leather binding: spine and corners in brown leather, spine with gold tooling of the title, year, and decorative elements; covers trimmed with light yellow paper featuring a reproduction of the original journal cover design — a black decorative frame, the title “KYIV \/ KYIW,” and the publisher’s mark. The original covers of the issues are preserved in the binding. Minor wear to the binding, natural yellowing of the paper. Condition: very good.\u003c\/p\u003e\u003cp\u003eThe annual volume has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis annual volume contains Jean Anouilh’s “Medea” in Ukrainian translation, texts by Mykola Voronyi, poetry by Bohdan Boichuk, and criticism of the works of Lesya Ukrainka, Albert Camus, and Czesław Miłosz. Such a juxtaposition was characteristic of the journal: it deliberately placed Ukrainian literature alongside contemporary European literature, rather than on a separate shelf for “our own.” Together with Munich’s “Arka” and New York’s “Slovo” circle, “Kyiv” sustained the framework of literary life in the post-war emigration, when literature on the continent was confined by socialist realism.\u003c\/p\u003e\u003cp\u003eBohdan Romanenchuk (1908–1989) was a literary scholar, linguist, publisher, and editor. In 1950, he founded the journal “Kyiv” in Philadelphia and edited it for ten years, consistently maintaining a policy of preserving Ukrainian science and literature outside Ukraine during the period of Soviet censorship. He printed the journal at the America Printing House in Philadelphia — the same press that published the Ukrainian daily of the same name.\u003c\/p\u003e\u003cp\u003eAnnual volumes of emigrant periodicals, bound together with the covers of individual issues preserved, are rare: print runs were small, they were distributed by subscription, and they never reached libraries in Ukraine.\u003c\/p\u003e","brand":"ARCHIVEVAM РІДКІСНІ КНИГИ","offers":[{"title":"Default Title","offer_id":64598651699571,"sku":"SKU-00703","price":12000.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15531420287347.jpg?v=1793985208"},{"product_id":"shliakh-vykhovannia-i-navchannia-kn-1-lviv-1939","title":"The Path of Upbringing and Education: A Pedagogical Quarterly. Vol. 1. Lviv, 1939","description":"\u003cp\u003eThe Way of Education and Teaching = Szlach wychowania i nawczania: a pedagogical quarterly, organ of the Mutual Aid Society of Ukrainian Teachers. Vol. 1: January — February — March 1939. Year XIII.\u003c\/p\u003e\n\n\u003cp\u003eLviv: Mutual Aid Society of Ukrainian Teachers, 1939. — 64 pp. — Free supplement to Uchytelske Slovo, No. 8, from April 15, 1939. — Editorial address: Lviv, 11\/I Yakov Stsheme St. Print run not stated.\u003c\/p\u003e\n\n\u003cp\u003eOriginal publisher’s cover of grey paper with black print; back cover plain. The cover is soiled, with stains and marks across its surface, a tear with a crease in the upper right corner, creases in the lower right corner and along the bottom edge, and a small tear in the paper along the fold of the back cover. The text block is bound with two wire staples; the staples are rusted, and rust marks have transferred to the fore-edge of the first few leaves. The paper shows natural yellowing, with occasional spots on the edges. There are no tears with loss of text, and the text block is firm. There are no inscriptions, stamps, or ex libris. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe publication has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe book opens with a major study by Vasyl Symovych (1880–1944) on Stepan Smal-Stoćki as an educator, written six months after the scholar’s death; Symovych was his student and dates the death to August 18, 1939, in Prague, while reference works give August 17 — a discrepancy worth noting. This is followed by “A Conversation with a Pessimist” by Polish psychologist Włodzisław Witkiewicz (1878–1948), translated by Yaroslav Chumy — a dialogue with a young person who sees life in black and white, and effectively a text on adolescent depression in 1930s school practice. The rest of the issue: “On the Margins of Ukrainian Readers for All-Purpose Schools” by S. Myroslav, “Winter Sports in School” by Taras Franko (1889–1971), “What is the Essence of Visual Education” by Volodymyr Bezushko, Dmytro Koziy’s exploration of the psychology of homework, a review of M. Lipper’s foreign pedagogical research as recounted by A. Dombrovsky, and also the sections “From Educational Activity” and “Among Books.”\u003c\/p\u003e\n\n\u003cp\u003e“The Way of Education and Teaching” (until 1930, “The Way of Teaching and Education”) was published in Lviv from 1927: first as a supplement to Uchytelske Slovo, independently from 1930, and from 1934 again as a supplement and with quarterly periodicity. It was published by the Mutual Aid Society of Ukrainian Teachers — the largest professional organization of Galician teachers. This is the first issue of the thirteenth and final volume: publication of the journal ceased with the outbreak of World War II, and the society was liquidated by the Soviet authorities in the autumn of 1939. The issue also contains announcements for the quarterly Ukrainian Preschool and the book The First Ukrainian Pedagogical Congress, published by Ridna Shkola — traces of the network of Ukrainian schooling that was destroyed a few months later. Individual issues of the final volume are rarely found.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64605561848179,"sku":"SKU-00723","price":850.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15532824134003.jpg?v=1793989379"},{"product_id":"kalendar-almanakh-na-1966-rik-ivan-franko-dzherzi-siti-1966","title":"1966 Calendar-Almanac: In Memory of the Franko Family. Jersey City; New York, 1966","description":"\u003cp\u003e\u003cem\u003e“My people, tormented, broken, like a paralytic on the road…”\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eCalendar-almanac for 1966: on the 110th anniversary of Ivan Franko’s birth and the 50th anniversary of his death \/ [title pages designed by the painter Bohdan Tytla].\u003c\/p\u003e\n\n\u003cp\u003eJersey City; New York: Svoboda Publishing House, [1965]. — Published by the Ukrainian National Association and the Shevchenko Scientific Society in America. — 240 pp.: illus., portraits. — Print run not stated. Year of publication not indicated on the title page; the calendar section is for 1966.\u003c\/p\u003e\n\n\u003cp\u003eIllustrated publisher’s cloth cover: a composition in green, olive, and light blue with a woodcut design — a figure lifting a boulder from an open book. The cover shows rubbing and creases along the spine, with occasional foxing and stains on the front cover, and wear at the corners. Wire-stapled; staples are rusted. The paper is cream-colored and clean, with foxing only on the first few leaves; the text block is firm, with no missing pages. The title page bears two blue stamps from the Scientific Library of the National University “Ostroh Academy,” one of which includes the phrase “Book from the collection” and a handwritten inventory number; pencil cipher 82.09(477) K 17 at the top. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThis edition has historical and cultural value.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAlmost a quarter of the volume is devoted to Luka Lukytsiv’s monograph “Ivan Franko — Life and Work” (pp. 11–63). This is followed by Bohdan Kravtsov on Franko’s thoughts on socialism and communism and Soviet censorship, Mykola Globenko’s “Imprisoned Franko,” Ivan Kedrin’s “Singer of Freedom and Progress,” an English-language essay by Clarence A. Manning, memoirs by Serhii Yefremov and O. Melnyk, and Franko’s “My people…,” “To Brazil,” and “The New Haidamaks.” Notably, alongside a section on the dissection of Franko in Soviet literary studies, the almanac includes poems by Maksym Rylsky and Volodymyr Sosiura and articles by Kyiv historians Petro Tolochko and Mykhailo Braichevsky: the almanac deliberately incorporated mainland authors into its own conversation. The second half of the book is a typical almanac: Yaroslav Padoha’s “UNS Between Two Conventions,” popular science essays, a calendar, a list of Slavic saints, and announcements.\u003c\/p\u003e\n\n\u003cp\u003e“Calendar-almanac” was the annual publication of the Ukrainian National Association, issued in Jersey City by the Svoboda Publishing House alongside the world’s oldest Ukrainian-language daily. Jubilee issues were dedicated to commemorative dates: 1961 — the centenary of Shevchenko’s death; 1964 — the 150th anniversary of his birth; 1966 — Franko’s anniversaries. This volume was published jointly with the Shevchenko Scientific Society in America; the title pages were designed by the painter Bohdan Tytla. The book opens with Anton Dragan’s article “With His Spirit as a Seal,” on Franko as the spiritual father of Ukrainian America.\u003c\/p\u003e\n\n\u003cp\u003eThis copy comes from the Scientific Library of the National University “Ostroh Academy”: the stamp with the phrase “Book from the collection” indicates that it was part of a private book collection donated to the library.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64610524299635,"sku":"SKU-00734","price":750.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15535369847155.jpg?v=1793989387"},{"product_id":"plastun-scout-ch-1-avgsburg-1945","title":"Plastun — Scout: a journal of Ukrainian Plast members. Part 1. Augsburg, December 1945","description":"\u003cp\u003ePlastun — Scout: an instructional and recreational magazine of Ukrainian Plast members in Augsburg. Issue 1, December 15, 1945 \/ edited by the editorial board.\u003c\/p\u003e\u003cp\u003eAugsburg: published by the Ukrainian Plast Command in Augsburg, 1945. — 12 pp.: illus. — Price on cover: 50 pfennigs. Printed on a rotary press with permission from UNRRA.\u003c\/p\u003e\u003cp\u003eOriginal illustrated cover; the text block is wire-stitched through two side openings. All text, headings, maps, and drawings were done by hand and on a typewriter, and reproduced using green ink. Natural yellowing of the paper, rubbing and minor edge tears, occasional spots; the text block is sturdy. On the back cover is a pasted-on gift label: “Gifted by D. Shtunder * 1921 Chernivtsi, Ukraine † 2002 Toronto, Canada.” Very good condition.\u003c\/p\u003e\u003cp\u003eThe first issue of the magazine. The publication has historical and cultural value and is a bibliographic rarity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“Plastun — Scout” was an instructional and recreational monthly magazine of Ukrainian Plast members, published in 1945–1946 at the Somme-Kaserne displaced persons camp in Augsburg. The magazine was created by an editorial board; the administration was led by manager V. Melnyk, and Mariquita Hryhorijiv was responsible for publication. Printing was authorized by UNRRA. The entire magazine—from headings and maps to cartoons—was done by hand and reproduced on a rotary press, while the covers and inserts were colored using stencils.\u003c\/p\u003e\u003cp\u003eThe first issue opens with the poem “To the Plast” signed by Dovhala and an editorial article on the revival of the Plast movement after years of silence. It also includes material for the centenary of Shevchenko’s “Testament” (1845–1945), reviewing its musical interpretations—from Verbytsky and Stetsenko to Liudkevych, Barvinsky, Revutsky, and Lyatoshynsky; the sketch “Verkhovyna, our world” about Hutsulshchyna and Transcarpathia with a map; “Ukrainian Post”; “Starry Sky” with December constellations; a historical calendar and the humorous page “A Plast member is always cheerful.”\u003c\/p\u003e\u003cp\u003eDP camp periodicals were published in tiny print runs on fragile rotary paper, so individual issues of the Augsburg “Plastun” are rarely found on the antiquarian market.\u003c\/p\u003e","brand":"ARCHIVEVAM РІДКІСНІ КНИГИ","offers":[{"title":"Default Title","offer_id":64615680377203,"sku":"SKU-00751","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15536943464819.jpg?v=1793987633"},{"product_id":"plastun-scout-ch-2-avgsburg-1946","title":"Plastun — Scout: a chronicle of Ukrainian Plast members. Part 2. Augsburg, January 1946","description":"\u003cp\u003ePlastun — Scout: an instructional and recreational magazine of the Ukrainian Plast in Augsburg. Part 2, January 15, 1946 \/ edited by the editorial board.\u003c\/p\u003e\u003cp\u003eAugsburg: published by the Ukrainian Plast Publishing House in Augsburg, 1946. — 16 p.: illus. — Price on cover: 1 stamp. Printed on a rotary press with the permission of UNRRA.\u003c\/p\u003e\u003cp\u003eOriginal illustrated cover of the blue edition; the text block is wire-stitched through two side openings. Natural yellowing of the paper, rubbing and chipping along the bottom edge of the cover, occasional foxing; the text block is firm. Good condition.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is a bibliographic rarity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“Plastun — Scout” was an instructional and recreational monthly magazine of the Ukrainian Plast, published in 1945–1946 at the Somme-Kaserne displaced persons camp in Augsburg. The magazine was produced by an editorial board; the administration was led by manager V. Melnyk. The entire magazine—from headlines and maps to cartoons—was drawn by hand and reproduced on a rotary press.\u003c\/p\u003e\u003cp\u003eThe cover of the January issue is dedicated to the anniversary of the Act of Zluk: around the trident are arranged the coats of arms of the Ukrainian lands, with figures of Plast members on either side and the inscription “January 22” at the bottom. The issue includes a review of “What’s New in the Plast World,” an essay “Oh, Dnipro, My Dnipro” with a map of the river, a practical article “The Plast Scarf in Practice,” Christmas material “The Holy Guest,” a continuation of the “Starry Sky” astronomical series with a description of Orion, and a historical calendar for January—Bohdan Khmelnytsky’s entry into Kyiv in 1649, the Act of Zluk of 1919, the Fourth Universal of 1918, and the Battle of Kruty. The solution to the competition riddle from the previous issue was submitted by the “Zhuravel” youth group of the Lesya Ukrainka regiment from the Karlsfeld camp.\u003c\/p\u003e\u003cp\u003eDP camp periodicals were published in very small print runs on fragile rotary paper, so individual issues of the Augsburg “Plastun” are rarely found on the antiquarian market.\u003c\/p\u003e","brand":"ARCHIVEVAM РІДКІСНІ КНИГИ","offers":[{"title":"Default Title","offer_id":64615680409971,"sku":"SKU-00752","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15536943497587.jpg?v=1793987633"},{"product_id":"plastun-scout-ch-3-usa-avgsburg-1946","title":"Plastun — Scout: a chronicle of Ukrainian Plast members. Part 3: USA issue. Augsburg, February 1946","description":"\u003cp\u003ePlastun — Scout: an instructional and recreational magazine of the Ukrainian Plast in Augsburg. No. 3 (USA issue), February 15, 1946 \/ edited by the editorial board.\u003c\/p\u003e\u003cp\u003eAugsburg: published by the Ukrainian Plast Publishing House in Augsburg, 1946. — 20 pp.: illus., color map. — Price on cover: 2 marks. Printed on a rotogravure press with permission from UNRRA.\u003c\/p\u003e\u003cp\u003eOriginal illustrated cover, colored using a stencil; the text block is wire-stitched through two side openings. Rubbing with loss of the paper layer in the lower left corner of the front cover (approx. 4 × 2 cm), soiling and yellowing, minor edge tears; the text block is firm, text is complete. Good condition.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is a bibliographic rarity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“Plastun — Scout” was an instructional and recreational monthly magazine of the Ukrainian Plast, published in 1945–1946 at the Somme-Kaserne displaced persons camp in Augsburg. The entire magazine was hand-drawn and reproduced on a rotogravure press, while the color covers and inserts were colored using a stencil.\u003c\/p\u003e\u003cp\u003eThis issue is entirely dedicated to America. On the color cover, an Indian, an American Boy Scout, and a soldier stand together against the backdrop of the Stars and Stripes. Inside are a drawing titled “Scouting in America,” the travel series “Land of Stars and Stripes,” English-language material “Knights of Democracy,” “Indian Post,” and pages about Indian tribes, their traditional clothing, and sign language, as well as a historical calendar for February. The back cover features a colored map of the United States of North America.\u003c\/p\u003e\u003cp\u003eThe issue was published at a time when Ukrainian youth in displaced persons camps were preparing to emigrate across the ocean en masse for the first time, and the American theme here is no coincidence.\u003c\/p\u003e","brand":"ARCHIVEVAM РІДКІСНІ КНИГИ","offers":[{"title":"Default Title","offer_id":64615680442739,"sku":"SKU-00753","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15536943530355.jpg?v=1793987632"},{"product_id":"plastun-scout-ch-3a-avgsburg-1946","title":"Plastun — Scout: a journal of Ukrainian Plast members. Issue 3a (cancelled issue 3). Augsburg, March 1946","description":"\u003cp\u003e\u003cem\u003e“Dear reader, this issue is a reprint of issue 3” — from the cover announcement.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003ePlastun — Scout: an instructional and entertaining magazine of Ukrainian Plast members in Augsburg. Issue 3a, March 1946 \/ edited by the editorial board.\u003c\/p\u003e\u003cp\u003eAugsburg: published by the Ukrainian Plast Publishing House in Augsburg, 1946. — 20 p.: illus. Printed on a rotogravure press with permission from UNRRA.\u003c\/p\u003e\u003cp\u003eOriginal illustrated cover; the text block is wire-stitched through two side openings. Yellowing of the paper, rubbing, and minor edge tears; a light stain with glue residue in the lower right corner of the front cover. Pencil mark “2.50” at the top left. The text block is firm, and the text is complete. Good condition.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is a bibliographic rarity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis is a rare case in camp periodicals — a corrected reprint of an issue, designated as “3a.” In a footnote on the cover, the editorial board explains that a “printer’s devil” had swapped pages 44a and 45 in the previous issue and had inserted four pages of humor instead of pages 38–41.\u003c\/p\u003e\u003cp\u003eThe cover differs from the first edition: a full-length Plast member against a collage of American landscapes — the Statue of Liberty, skyscrapers, a car, a baseball player, and bunches of grapes. The contents are largely the same as in the USA issue: scouting in the United States, a trip to the “Land of Stars and Stripes,” an Indian theme, P. T. Barnum’s circus and the figure of Buffalo Bill, and an expanded humor section featuring series of drawings of camp life.\u003c\/p\u003e\u003cp\u003e“Plastun — Scout” was published in 1945–1946 in the Somme-Kaserne displaced persons camp; the entire magazine — from the headlines to the cartoons — was drawn by hand and reproduced on a rotogravure press.\u003c\/p\u003e","brand":"ARCHIVEVAM РІДКІСНІ КНИГИ","offers":[{"title":"Default Title","offer_id":64615687192947,"sku":"SKU-00754","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15536944087411.jpg?v=1793987633"},{"product_id":"plastun-scout-ch-4-avgsburg-1946","title":"Plastun — Scout: a chronicle of Ukrainian Plast members. Part 4. Augsburg, April 1946","description":"\u003cp\u003ePlastun — Scout: an instructional and recreational magazine of Ukrainian Plast scouts in Augsburg. No. 4, April 15, 1946 \/ edited by the editorial board.\u003c\/p\u003e\u003cp\u003eAugsburg: published by the Ukrainian Plast Publishing House in Augsburg (Ukrainian Boy Scouts Edition, Somme Kaserne), 1946. — 20 p.: illus. Printed on a rotary press with permission from UNRRA.\u003c\/p\u003e\u003cp\u003eOriginal illustrated cover; the text block is wire-stitched through two side openings. Yellowing of the paper, rubbing, and localized loss of the paper layer in the lower left corner of the front cover, minor edge tears; the text block is firm, the text is complete. Good condition.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is a bibliographic rarity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e“Plastun — Scout” was an instructional and recreational monthly magazine of Ukrainian Plast scouts published in 1945–1946 at the Somme-Kaserne displaced persons camp in Augsburg. The entire magazine—from the headlines and maps to the cartoons—was drawn by hand and reproduced on a rotary press.\u003c\/p\u003e\u003cp\u003eOn the cover of the April issue is a Plast scout with a boat above a mountain stream. The issue contains the English-language essay “Ukrainian Scout” on the history and structure of Ukrainian Plast, a continuation of the series “Knights of Democracy,” the camp story “The Plast uniform saved...,” a popular article “The atomic bomb,” a piece on totems, a lariat exercise guide, signaling charts, and a historical calendar. The back cover features a humorous page with the colophon.\u003c\/p\u003e\u003cp\u003eDP camp periodicals had a very small print run, so individual issues of the Augsburg “Plastun” are rarely found on the antiquarian market.\u003c\/p\u003e","brand":"ARCHIVEVAM РІДКІСНІ КНИГИ","offers":[{"title":"Default Title","offer_id":64615687225715,"sku":"SKU-00755","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15536944120179.jpg?v=1793987632"},{"product_id":"plastun-scout-ch-7-avgsburg-1946","title":"Plastun — Scout: a journal of Ukrainian Plast members. Part 7: Towards the First International Jamboree of DP Scouts. Augsburg, May 1946","description":"\u003cp\u003e\u003cem\u003e“Amicus certus in re incerta cernitur” — motto on the cover.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003ePlastun — Scout: educational and entertaining magazine of Ukrainian Plastun scouts in Augsburg. No. 7, May 19, 1946 \/ edited by the editorial board.\u003c\/p\u003e\u003cp\u003eAugsburg: Ukrainian Boy Scouts Edition (Somme Kaserne), 1946. — 4 pp.: illus. Printed on a rotary press with permission from UNRRA.\u003c\/p\u003e\u003cp\u003eWithout a separate cover: four-page booklet with a printed title page. Yellowing and soiling of the paper, rubbing and torn edges, trace of a horizontal fold. On the top of the last page — owner’s inscription in ink with the name of the Plastun troop (illegible). Text complete. Good condition.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is a bibliographic rarity.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSpecial four-page issue for the First International D.P. Boy Scouts Rally, which took place in Augsburg on May 6–19, 1946. The title page features a large scout lily with a Latin motto and a ribbon “First Intern. DP Rally — Augsburg.”\u003c\/p\u003e\u003cp\u003eInside are presented the scout organizations of displaced persons — Belarusian, Estonian, Latvian, Lithuanian, Polish, and Ukrainian: each with a short description in English, a motto in its native language, and drawings of uniforms. On the last page — hourly program of the meeting on May 19, 1946, at the Somme-Kaserne camp, presented in parallel in Ukrainian and English: assembly of units, march-out with an orchestra, raising of flags and anthems, commemoration of fallen Plastun scouts, games, and program around the campfire.\u003c\/p\u003e\u003cp\u003eOne-day issues for a specific event have been preserved less than regular issues, and this four-page document of international scout life in the camps is extremely rare.\u003c\/p\u003e","brand":"ARCHIVEVAM РІДКІСНІ КНИГИ","offers":[{"title":"Default Title","offer_id":64615687258483,"sku":"SKU-00756","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15536944152947.jpg?v=1793987632"},{"product_id":"avanhard-ch-3-198-niu-york-1989-bandera","title":"Avangard: A Ukrainian Youth Journal. Issue 3 (198). New York, 1989","description":"\u003cp\u003eAvangard: Ukrainian Youth Journal. Issue 3 (198), Year XLIII \/ edited by the editorial board, editor-in-chief Osyp Rozhka; graphic design by Yakov Hnyzdovsky.\u003c\/p\u003e\n\u003cp\u003eNew York: published by the Central Board of the Ukrainian Youth Union, 1989. — Quarterly. — Printing: Computoprint Corporation, Clifton, New Jersey. — Editorial address: 136 2nd Ave., New York, N. Y. 10003.\u003c\/p\u003e\n\u003cp\u003eOriginal tan paper cover with black print: framed portrait of Stepan Bandera surrounded by a laurel branch, with the dates “1909–1959–1989” below; on the back cover, a drawing with the inscription “Russification — Genocide of Ukraine.” Slight yellowing of the paper, minor scuffs on the cover, and creased corners. The binding is tight. Condition: very good.\u003c\/p\u003e\n\u003cp\u003eThe issue has historical and cultural value and is of collector interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe issue was published on the double anniversary — the eightieth anniversary of Stepan Bandera’s birth and the thirtieth anniversary of his assassination in Munich. Inside are materials on the circumstances of the leader’s death, documents, memoirs, a bibliographic review, and photo illustrations. It was printed in 1989, when Bandera’s name was still used as an insult in the official press in the Ukrainian SSR, and the journal itself could only reach Ukraine illegally.\u003c\/p\u003e\n\u003cp\u003e“Avangard” was the official publication of the Ukrainian Youth Union in exile, a quarterly with regional offices in Great Britain, Canada, the United States, Australia, Belgium, France, Germany, Argentina, and Brazil. It was edited by a board led by Osyp Rozhka, while the journal’s graphic design was carried out for years by Yakov Hnyzdovsky (1915–1985) — a graphic artist whose woodcuts were included in collections at the Metropolitan Museum of Art and the Library of Congress; his hand can be recognized in the drawn title on the cover.\u003c\/p\u003e\n\u003cp\u003eAnnual sets of emigrant youth periodicals were distributed by subscription across ten countries and never reached libraries in Ukraine, so individual issues are now rarely found.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64672988627315,"sku":"SKU-00831","price":800.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15552047415667.jpg?v=1793989385"},{"product_id":"avanhard-ch-1-2-184-185-niu-york-1986","title":"Avangard: A Journal of Ukrainian Youth. Parts 1–2 (184–185). New York, 1986","description":"\u003cp\u003eAvangard: Ukrainian Youth Journal. Issues 1–2 (184–185), Year XL \/ edited by the Editorial Board, Editor-in-Chief Osyp Rozhka; graphic design by Yakov Hnyzdovsky.\u003c\/p\u003e\n\u003cp\u003eNew York: published by the Central Board of the Union of Ukrainian Youth, 1986. — Quarterly, double issue. — Editorial address: 136 2nd Ave., New York, N. Y. 10003.\u003c\/p\u003e\n\u003cp\u003eOriginal pale yellow dust jacket: hand-drawn title in blue, with a framed portrait below. Slight yellowing of the paper along the edges, minor wear to the dust jacket, creased bottom corner. The binding is sturdy, pages are clean. Condition: very good.\u003c\/p\u003e\n\u003cp\u003eThis issue has historical and cultural value and is of collector interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe double issue opens with a feature on the 1930 Kharkiv trial of the Union of Liberation of Ukraine — a show trial that marked the beginning of the extermination of the Ukrainian intelligentsia; the text is accompanied by archival photographs of the defendants. Also included are other historical investigations, photographic documents, and chronicles of the lives of the Union of Ukrainian Youth branches around the world.\u003c\/p\u003e\n\u003cp\u003e“Avangard” was the official publication of the Union of Ukrainian Youth in exile, a quarterly with regional offices in Great Britain, Canada, the United States, Australia, Belgium, France, Germany, Argentina, and Brazil. The journal’s graphic design was created by Yakov Hnyzdovsky (1915–1985) — a graphic artist whose woodcuts were included in collections at the Metropolitan Museum of Art and the Library of Congress; the hand-drawn title on the dust jacket is his.\u003c\/p\u003e\n\u003cp\u003eThe journal was distributed by subscription across ten countries, never reached Ukraine, and youth periodicals were generally preserved less carefully than books, so individual issues are now rarely found.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64672996884851,"sku":"SKU-00832","price":600.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15552048693619.jpg?v=1793989393"},{"product_id":"avanhard-ch-3-186-niu-york-1986","title":"Avangard: A Ukrainian Youth Journal. Part 3 (186). New York, 1986","description":"\u003cp\u003eAvangard: Ukrainian Youth Journal. Part 3 (186), Year XL \/ edited by the editorial board; graphic design by Yakiv Hnizdovsky.\u003c\/p\u003e\n\u003cp\u003eNew York: published by the Central Board of the Ukrainian Youth Association, 1986. — Quarterly. — Editorial address: 136 2nd Ave., New York, N. Y. 10003.\u003c\/p\u003e\n\u003cp\u003eOriginal cream-colored dust jacket: hand-drawn title in blue, with a framed portrait below; woodcut on the back cover depicting a figure behind bars. Slight yellowing of the paper along the edges, minor wear to the dust jacket. The binding is tight, and the pages are clean. Condition: very good.\u003c\/p\u003e\n\u003cp\u003eThis issue is of historical and cultural value and is of interest to collectors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe issue responds to the death of Yaroslav Stetsko, who died in July 1986: inside is a report from the funeral with extensive photographic documentation — mourning wreaths, a procession of thousands, and a youth honor guard. It also includes documents, poetry selections, and a chronicle of the branches of the Ukrainian Youth Association.\u003c\/p\u003e\n\u003cp\u003e\"Avangard\" was the official organ of the Ukrainian Youth Association in exile, a quarterly with regional branches in Great Britain, Canada, the United States, Australia, Belgium, France, Germany, Argentina, and Brazil. The journal's graphic design was created by Yakiv Hnizdovsky (1915–1985) — a graphic artist whose woodcuts were included in the collections of the Metropolitan Museum of Art and the Library of Congress; the hand-drawn title on the cover is his.\u003c\/p\u003e\n\u003cp\u003eThe journal was distributed by subscription across ten countries and never reached Ukraine, and youth periodicals were preserved less carefully than books, so individual issues are now rarely found.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64673190740339,"sku":"SKU-00833","price":800.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15552086671731.jpg?v=1793989385"},{"product_id":"avanhard-ch-4-187-niu-york-1986","title":"Avangard: A Ukrainian Youth Journal. Issue 4 (187). New York, 1986","description":"\u003cp\u003eAvangard: Ukrainian Youth Journal. Issue 4 (187), Year XL \/ edited by the editorial board; graphic design by Yakiv Hnizdovsky.\u003c\/p\u003e\n\u003cp\u003eNew York: published by the Central Board of the Ukrainian Youth Association, 1986. — Quarterly. — Editorial address: 136 2nd Ave., New York, N. Y. 10003.\u003c\/p\u003e\n\u003cp\u003eOriginal light blue dust jacket: hand-drawn title in black, below it an engraving in a frame depicting a warrior and a call not to grant the enemy any wrongs; on the back cover, an engraving “On the Battlefield Skete.” On the front cover, there is an owner’s inscription in pencil. Slight yellowing along the edges, minor rubbing. The binding is firm, the pages are clean. Condition: very good.\u003c\/p\u003e\n\u003cp\u003eThis issue has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe final issue of the journal’s fortieth year. Inside are the main excerpts from Symon Petliura’s speeches, poetry selections, a feature on the Ukrainian Youth Association’s women’s camp in France with photographic documentation, a chronicle of branches, and the year’s table of contents. Both cover engravings are executed in the style of liberation graphics, to which the journal frequently returned.\u003c\/p\u003e\n\u003cp\u003e“Avangard” was the official organ of the Ukrainian Youth Association in exile, a quarterly with regional branches in Great Britain, Canada, the United States, Australia, Belgium, France, Germany, Argentina, and Brazil. The journal’s graphic design was created by Yakiv Hnizdovsky (1915–1985), a graphic artist whose woodcuts are included in the collections of the Metropolitan Museum of Art and the Library of Congress.\u003c\/p\u003e\n\u003cp\u003eThe journal was distributed by subscription across ten countries and never reached Ukraine, and youth periodicals were preserved less carefully than books, so individual issues are now rarely found.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64673195917683,"sku":"SKU-00834","price":800.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15552087818611.jpg?v=1793989385"},{"product_id":"bibliotechka-chornomortsia-ch-4-toronto-1951","title":"The Black Sea Library: An Irregular Journal of Marine Geologists. Part 4. Toronto, April 1951","description":"\u003cp\u003e\u003cem\u003e“For the nation, there is no independence without the sea—and no sea without independence!”\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Black Sea Scout’s Library: an irregular journal for the education and training of Black Sea Scouts. Issue 4.\u003c\/p\u003e\n\n\u003cp\u003eToronto: Editorial Board and Administration of The Black Sea Scout’s Library, April 29–30, 1951. — 34 pp.: illustrations, maps. — Typewritten and hand-drawn, reproduced using a mimeograph. Print run not stated.\u003c\/p\u003e\n\n\u003cp\u003eBound in a pale green paper cover, stapled on the side with two metal staples. The front cover features a hand-drawn title, a Black Sea Scout lily with a trident inside a frame containing the letters S-K-O-B, a lifebuoy with the issue number, a map of the Black Sea coast with the inscription “The Black Sea—Ukraine’s Sea,” and the issue’s contents; the back cover is blank. Light soiling and occasional spots on the cover, tears and a crease in the upper corner of the front cover, rust marks around the staples, and small tears in the paper nearby. The text block is firm, the pages are clean, and the paper is evenly yellowed. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe issue has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe issue was published to commemorate Ukrainian Sea Day—the anniversary of April 29, 1918, when the Ukrainian flag was raised on ships of the Black Sea Fleet in Sevastopol—and to mark the meeting of Black Sea Scouts in Toronto on April 29–30, 1951. Contents: an essay “From the History of the Ukrainian State Fleet” by Captain-Lieutenant Sviatoslav Shramchenko; a description of the flags of the Ukrainian State Fleet from 1917–1921, with illustrations; “Black Sea Themes in Ukrainian Philately”; “The Current State of the Black Sea Fleet”; “A Cossack Galley in Pisa”; types of vessels and the history of global seafaring; a report from a Black Sea Scout training camp at Walchensee; the Black Sea Scout game “Pack Hunters,” based on Baden-Powell’s “Scouting for Boys”; and “Scout Humor.” A separate section is devoted to Roman Shukhevych: a bibliography of materials about him, a review of existing portraits, and a call for readers to send photographs for a future representative portrait of the Commander of the UPA.\u003c\/p\u003e\n\n\u003cp\u003eSviatoslav Shramchenko (1893–1958) was a Captain-Lieutenant of the Ukrainian State Fleet: senior aide to the Minister of the Navy in 1918; comrade of the Minister of the Navy in 1919; and head of the Organizational Department of the Naval General Staff in 1920. He authored over two hundred works on the history of the Ukrainian fleet and was a renowned philatelist; in exile, he lived in Philadelphia. The issue’s poetry page opens with the poem “The Everyday Sea” by Oleks Vlyzko (1908–1934), a poet of the Ukrainian maritime cycle who was shot in Kyiv.\u003c\/p\u003e\n\n\u003cp\u003eThe entire text was typed, while the titles, maps, drawings of ships and flags, and cartoons were hand-drawn and reproduced using a mimeograph—a typical technique for Scout troop publications in the post-war emigration. Such issues were printed in small print runs for the internal training use of the Scout group and almost never made it into library collections.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64678981271923,"sku":"SKU-00852","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15554050097523.jpg?v=1793987629"},{"product_id":"arka-ch-5-5-miunkhen-lystopad-1947","title":"Arka: A Monthly Review of Literature, Art, and Criticism. Part 5. Munich, November 1947","description":"\u003cp\u003e\u003cem\u003e“Do not go, stay here. There is shelter among the rocks.” — Mykola Zerov, from a poem first published in this issue.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArka: a journal of literature, art and criticism: monthly. Year I, issue 5, November 1947 \/ edited by the editorial board: V. Domontovych, Yurii Kosach, Bohdan Nyzhankovskyi, Zenon Tarnavskyi, Yurii Sherekh; artistic design by Yakiv Hnyzdovskyi.\u003c\/p\u003e\n\u003cp\u003eMunich: supplement to the newspaper Ukrayinska Trybuna, 1947. — Printed by: R. Oldenbourg, Graphische Betriebe G.m.b.H., Munich. — Responsible editor and printer: Vasyl Pasichnyak. — Editorial address: Dachauerstr. 9\/II; administration address: Fürichstr. 53\/II. — Published with permission from Civil Affairs Division EUCOM APO 757. — Price on back cover: 6 NM. Print run not stated.\u003c\/p\u003e\n\u003cp\u003eOriginal publisher’s cover in cream paper with two-color printing (black and blue): the journal’s title and schematic image of an arch — in blue; lines above and below the title — in black; wire-stapled binding. The cover is evenly yellowed, with occasional small foxing spots on the cover and the edges of the inner pages. On the front cover, the owner’s mark “No. 6” and an illegible signature are written in pencil. Condition: very good.\u003c\/p\u003e\n\u003cp\u003eThe journal is of historical and cultural value and is a bibliographic rarity; Yakiv Hnyzdovskyi’s design is of independent artistic interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most valuable feature of this issue is the previously unpublished poetry of Mykola Zerov (1890–1937): the sonnet “Lesstrigoni” and the first complete publication of the sonnet cycle “Parady” — the poet’s name for Luk’yanivka, a quiet, garden-filled part of Kyiv. The issue opens with the article “November 1918–1947,” dedicated to the 29th anniversary of the proclamation of Ukrainian authority in Lviv and related to the UPA’s struggle at the time. Other materials include Yakiv Hnyzdovskyi’s essay on Peter Bruegel the Elder’s “The Fight at Olympia,” Damyian Hornyatkevych’s study of Shevchenko’s “The Parable of the Prodigal Son,” Dmytro Doroshenko’s memoir about Volodymyr Samailenko, prose by Ihor Kostetskyi and Bohdan Nyzhankovskyi, as well as reviews of the theatrical and artistic life of postwar Munich.\u003c\/p\u003e\n\u003cp\u003eArka was published in Munich from July 1947 as a supplement to the newspaper Ukrayinska Trybuna in cooperation with the publishing commission of MUR — the Ukrainian Artistic Movement. This issue belongs to the first year of publication, when the journal was edited by the editorial board consisting of V. Domontovych, Yurii Kosach, Bohdan Nyzhankovskyi, Zenon Tarnavskyi, and Yurii Sherekh; only from the second year did Sherekh himself become the sole editor-in-chief — the pseudonym of the linguist and critic Yurii Sheveliov (1908–2002). All the journal’s artistic design is by Yakiv Hnyzdovskyi (1915–1985).\u003c\/p\u003e\n\u003cp\u003eThe journal lasted less than two years, and data on the total number of its issues vary in the sources. On the front cover of this copy, the owner’s mark “No. 6” is written in pencil — evidence that the reader kept their own numbering of their collection of issues. The print runs of camp publications were small, the paper cheap, and individual issues of Arka in good condition are rarely found.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default","offer_id":64700044181875,"sku":"SKU-00875","price":6750.0,"currency_code":"UAH","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15559199850867.jpg?v=1793989655"},{"product_id":"arka-ch-2-3-miunkhen-serpen-veresen-1947","title":"Arka: monthly journal of literature, art, and criticism. Parts 2–3. Munich, August–September 1947","description":"\u003cp\u003e\u003cem\u003e“The year of our Lord 1946 was not... the year of the presentation of great and immortal literary values” — Yurii Sherekh, from the first article in this issue.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eArka: a journal of literature, art and criticism: monthly. Year of publication I, issue 2–3, August–September 1947 \/ edited by a board consisting of V. Domontovych, Yurii Kosach, Bohdan Nyzhankivskyi, Zenon Tarnavskyi, Yurii Sherekh; artistic design by Yakiv Hnyzdovskyi.\u003c\/p\u003e\n\n\u003cp\u003eMunich: Ukrainian Tribune Publishing House in cooperation with the MUR Publishing Commission, 1947. — Ill. — 22 × 16 cm. — Printed by: R. Oldenbourg, Graphische Betriebe G.m.b.H., Munich. — Published with permission of Civil Affairs Division EUCOM APO 757; responsible editor and printer — Vasyl Pasichnyak. Price on the back cover: 6 NM. Circulation not stated.\u003c\/p\u003e\n\n\u003cp\u003eIn the original publisher’s cover: cream paper, the title of the journal and issue number in green, the subtitle and publication details in black, at the bottom — a stylized green arch-gate emblem; on the back cover — a small engraved vignette and price. The cover has darkened unevenly, especially in the upper part, with small spots, light wear to the edges and corners, and traces of creasing along the spine. The paper shows natural yellowing. There are no inscriptions, stamps, or marginalia. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe journal has historical and cultural value and is a bibliographic rarity; Yakiv Hnyzdovskyi’s cover design is of independent artistic interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIssue 2–3 for August–September 1947 opens with Yurii Sherekh’s (Shevelov) article “The Year of Our Lord 1946” — a report delivered at the congress of the Ukrainian Artistic Movement (MUR), in which the author summarizes the literary year and compares two concepts for organizing émigré writing: “partisan” and “consolidationist.” It also contains Stepan Lutsyk’s study of the painter Oleks Osviatlovskyi (1872–1935) with reproductions of his paintings — a self-portrait, “Moses” (a portrait of Metropolitan Andrey Sheptytskyi, 1915), and “Memories by the Roses” (a portrait of the artist’s wife, 1909), the article “Horizons of a New Renaissance” on contemporary European music with a drawing by Igor Stravinsky by Pablo Picasso, a translation of Paul Osborn’s play “Death in Captivity” (Zenon Tarnavskyi) with a photograph of the Munich Chamber Theatre production, an essay on the early career of director Max Reinhardt, Oleks Vretenchenko’s poetry, and a review of post-war European cinema.\u003c\/p\u003e\n\n\u003cp\u003eThe editorial board of this issue consisted of V. Domontovych (Viktor Petrov), Yurii Kosach, Bohdan Nyzhankivskyi, Zenon Tarnavskyi, and Yurii Sherekh — who would become editor-in-chief only in January 1948; the journal’s artistic design was by the graphic artist Yakiv Hnyzdovskyi (1915–1985).\u003c\/p\u003e\n\n\u003cp\u003e“Arka” was published in Munich from July 1947 to May 1948 by the Ukrainian Tribune Publishing House in cooperation with the MUR Publishing Commission; during this time, eleven issues appeared in nine volumes, two of which were double issues. Issue 2–3 is the first of these double issues, one of the earliest in the entire publication. The print runs of the camp era were small, the paper cheap, and copies of “Arka” almost never made it into libraries in Ukraine; issues from the first year of publication, when it was still edited by a board, are rarer on the antiquarian market than later issues bearing Sherekh’s sole editorial signature.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default","offer_id":64700152840563,"sku":"SKU-00876","price":9000.0,"currency_code":"UAH","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15559210205555.jpg?v=1793989655"},{"product_id":"arka-ch-1-miunkhen-lypen-1947","title":"Arka: monthly of literature, art, criticism. Part 1. Munich, July 1947","description":"\u003cp\u003e\u003cem\u003e“Who delights himself with peace, tranquility, and justice should, for the time being, seek such a place on the planet where there are monkeys and bananas.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArka: a literary, art, and criticism journal, published monthly in collaboration with the publishing commission of the Ukrainian Artistic Movement. Year I, Issue 1 \/ Editorial board: V. Domontovych, Yurii Kosach, Bohdan Nyzhankovskyi, Zenon Tarnavskyi, Yurii Sherekh; artistic design by Yakiv Hnyzdovskyi.\u003c\/p\u003e\n\u003cp\u003eMunich: Ukrainian Tribune Publishing House, July 1947. — [4], 32 pp.: illus. — Printed by R. Oldenbourg, Graphische Betriebe G.m.b.H., Munich. — Responsible licensee: Vasyl Pasichnyak. — Published with the permission of the military government of Bavaria. — Price on the back cover: 6 NM. Print run not stated.\u003c\/p\u003e\n\u003cp\u003eOriginal publisher’s cover of cream paper with black-and-red printing: at the top, the inscription “Ukrainian Tribune. Supplement”; below, the title “Arka” in red handwritten lettering and a stylized arch logo, with the section titles and the number “1” underneath; on the back cover, only the price and a small graphic logo. Staple-bound. The cover has tears and partial paper loss in the upper corners of the front cover and along the left edge; the back cover has a horizontal crease in the middle; on the title page, there are tears and paper loss in the upper margin, though the text is unaffected. The paper has an even yellowing and occasional foxing; the pages are untrimmed. The text block is firm, with no missing sheets. There are no inscriptions, stamps, or ex libris. Condition: fair.\u003c\/p\u003e\n\u003cp\u003eThe publication has historical and cultural value and is of collecting interest; Yakiv Hnyzdovskyi’s design is of independent artistic interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis first issue of “Arka” features Ulas Samchuk’s (1905–1987) programmatic “Our Word,” a manifesto of the young journal that proclaims artistic merit, rather than party affiliation, as the criterion. Also included are Yurii Kosach’s essay “The Theater of Existentialism,” with translations of Sartre’s plays; Yakiv Hnyzdovskyi’s article on Croatian sculptor Ivan Meštrović; a review of Trypillia ceramics with an illustrated insert; Inna Rohovska’s translations of Japanese and Chinese poetry; a reproduction by Henri Matisse from the 1947 Munich exhibition of French graphics; an excerpt from Ivan Kernytskyi’s dramatic novel “Salt of the Earth”; and a film review under the byline “Yuni Hor.” The illustrations of two historical figures—Hetman Pavlo Polubotok and Prince Volodymyr the Great, both in charcoal—are by Oksana Liaturynska, who here appears as both a poet and a portrait artist.\u003c\/p\u003e\n\u003cp\u003eThe editorial board of the first year was headed by V. Domontovych—one of the two literary pseudonyms of Viktor Petrov (1894–1969), a historian, archaeologist, and writer associated with the Neo-Classicists; he signed his philosophical and cultural studies with the other pseudonym, Viktor Ber, under which the article “The Modern Conception of the World” was published in this same issue—meaning that the same author appears twice in this issue under different names. From January 1948, with Issue 1 (7), the editorial board was headed by Yurii Sherekh (Shevelov, 1908–2002). All the journal’s artistic design—the arch logo, fonts, and inserts—is by Yakiv Hnyzdovskyi (1915–1985), who later became one of the most renowned Ukrainian graphic artists in the United States.\u003c\/p\u003e\n\u003cp\u003e“Arka” was published in Munich from July 1947 to May 1948 as a supplement to the newspaper Ukrainian Tribune in collaboration with the publishing commission of the Ukrainian Artistic Movement; this issue opens the entire series—during the incomplete year, the journal managed to publish eleven issues. The print runs of camp publications were small, and preserved copies of individual issues of “Arka” are rare, with the first issue being even rarer than those that follow: it is from this issue that incomplete sets begin to break up.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64700167225715,"sku":"SKU-00877","price":6750.0,"currency_code":"UAH","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15559210500467.jpg?v=1793989655"},{"product_id":"arka-ch-6-miunkhen-hruden-1947","title":"Arka: A Monthly Review of Literature, Art, and Criticism. Part 6. Munich, December 1947","description":"\u003cp\u003e\u003cem\u003e“Grotesque is a distorted reflection of life in the warped mirror of satirical weather.” — Yakiv Hnyzdovskyi, in this issue.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eArka: a literary, art and criticism journal: monthly. Year I, issue 6, December 1947 \/ edited by a board consisting of: V. Domontovych, Yurii Kosach, Bohdan Nyzhankovskyi, Zenon Tarnavskyi, Yurii Sherekh; artistic design — Yakiv Hnyzdovskyi.\u003c\/p\u003e\n\n\u003cp\u003eMunich: Ukrainian Tribune Publishing House, 1947. — Supplement to the weekly Ukrainian Tribune. — Printed by: R. Oldenbourg, Graphische Betriebe G. m. b. H., Munich. Responsible editor and printer — Vasyl Pasichnyak. Publication authorized by the Civil Affairs Division EUCOM APO 757. Editorial address — Munich, Dachauerstrasse 9\/II; administration — Fürichstrasse 53\/II. Circulation not stated.\u003c\/p\u003e\n\n\u003cp\u003eOriginal publisher’s cover: on cream-colored heavy paper, a black double line, the title “Arka” in red handwritten lettering, a stylized red arch vignette, subheadings and issue number in black and red; on the back cover — a small graphic vignette and printed price. Staple-bound, staples show slight traces of rust. Cover shows natural yellowing and scattered small foxing spots, minor rubbing at the folds; in the upper right corner of the front cover — an old pencil mark circled (illegible). The text block is firm, the paper inside shows natural yellowing. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe journal has historical and cultural value and is of collector’s interest; Yakiv Hnyzdovskyi’s cover design is of independent artistic interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe issue is primarily dedicated to the memory of Yurii Klen (Oswald Burgardt, 1891–1947), who died one month before this issue was published: the journal opens with Yurii Sherekh’s obituary “In Memory of the Poet,” featuring a portrait of the deceased and a selection of his poems “Medallion.” The second major feature is Yakiv Hnyzdovskyi’s essay “Ukrainian Grotesque. About Don Sancho Panza and His Lord, a Knight from Mancia,” which compares grotesqueness with the “impersonality” of the Ukrainian spirit through the examples of Gogol, Skovoroda, and Lesya Ukrainka. The third is Gr. Shevchuk’s extensive article “The Story of Edvard Strokha” about the literary hoax of the 1920s: a fictitious author in whose name Soviet proletarian poetry was parodied, with reprinted excerpts from “Sozhendropia” and a portrait of the “author.” Further — poems by Yevhen Malaniuk and Oleh Zuyevskyi, a short story by Leonid Poltava, a translation of Sherwood Anderson’s “The Industrial America Song,” and an article about Edvard Kozak with illustrations for “Lys Mykyta” and a friendly caricature of Mykola Morozov; a separate illustrative insert reproduces Kozak’s tempera painting “The Fair.”\u003c\/p\u003e\n\n\u003cp\u003eYurii Klen (Oswald Burgardt; 1891–1947) — a neo-classicist poet and translator, one of the “five-man circle” of Kyiv neo-classicists, who had been living in exile in Germany since 1931; author of the collection “Caravels” and the epic “The Ashes of Empires,” an excerpt from which is also reprinted in this issue. Yakiv Hnyzdovskyi (1915–1985) — artist and art historian, who designed Arka from its first issue, here also appearing as an essayist.\u003c\/p\u003e\n\n\u003cp\u003eArka was published in Munich from July 1947 to May 1948 — eleven issues in nine volumes. Issue 6 for December 1947 — the last issue of the first year of publication: the journal still formally appeared as a supplement to the weekly Ukrainian Tribune under collective editorship, and only from the next issue, 1 (7) for January 1948, Yurii Sherekh took over sole editorship, and the journal de facto became a publication of the Ukrainian Artistic Movement. Complete annual volumes of Arka are absent from Ukrainian public libraries, and individual issues are rarely found on the market.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":64700170207603,"sku":"SKU-00878","price":6750.0,"currency_code":"UAH","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15559212663155.jpg?v=1793989655"},{"product_id":"suchasnist-ch-2-miunkhen-liutyi-1961","title":"Contemporary Life: Literature, Art, Social Life. Part 2. Munich, February 1961","description":"\u003cp\u003eContemporary: Literature, Art, Public Life. Issue 2, February 1961 \/ Editorial Staff: Ivan Koshelyvets (Editor-in-Chief), Bohdan Boychuk, Bohdan Kravtsiv, Kyrylo Mytrovych, Dariya Rebet, Volodymyr Stakiv (Public and Political Section).\u003c\/p\u003e\n\n\u003cp\u003eMunich: Ukrainian Society of Foreign Studios, 1961. — Printed by Buchdruckerei und Verlag «Biblos», Munich. Subscription price per issue — 2.50 DM in Germany, $0.75 in the USA and Canada.\u003c\/p\u003e\n\n\u003cp\u003eIn a softcover binding of cream-colored textured paper: the front cover bears the title and full contents of the issue, with the German-language address of the editorial office on Karlsplatz at the bottom. The front cover has brown stains and streaks in the lower half and small dots across the field; the edges and spine are rubbed; the back cover is toned, with a stain near the lower right edge. The block paper is evenly yellowed, and the top edges of some sheets are uneven; the block is tight, with no loss of text. A pencil-written \"75\" appears at the top left of the front cover. The title page bears an owner's inscription in ink at the top. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe issue has historical and cultural value and is of collector's interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIn the second issue of «Suchasnist» Yakiv Hnyzdovskyi (1915–1985) writes about Nykyfor — a Lemko self-taught painter from Krynytsia Yefypiana Drovnyaka. Nearby, Petro Odarchenko recalls how Nizhyn students in the 1920s learned Ukrainian through Horak's odes in translations by Mykola Zherov, while Vasyl Barka begins the essay \"Hliborobskyi Orpheus, or Clarinetism\" on Pavlo Tychyna's early lyric poetry. The literary section consists of poems by Vira Vovk and the first part of Yurii Tarnavskyi's novella «Shlyakhy»; Stanislav Jerzy Lec's aphorisms are also included separately, with an introduction on the Polish \"fraszka\".\u003c\/p\u003e\n\n\u003cp\u003eThe public and political section opens with Kyrylo Mytrovych's article \"Authenticity — the Ideal of Our Time\". Vasyl Markus examines cultural policy in the Ukrainian SSR from 1955 to 1960 (\"Ukrainian Culture in the Procrustean Bed\"), Ivan Maistrenko — the ideological rift between the USSR and China, and Volodymyr Stakiv — the January plenums of the Central Committees of the CPSU and the CP(u) in 1961. The issue concludes with reviews, including a review of an English-language collection of Mykola Khvylovyi's novellas translated by Yurii Luts'kyi, as well as chronicle notes and letters to the editors.\u003c\/p\u003e\n\n\u003cp\u003eThe journal was published monthly starting in January 1961, so this is only its second issue. «Suchasnist» was founded on the basis of «Suchasna Ukraina» and «Ukrainska Literaturna Haza» and was published in Munich until November 1990, later in Newark and Kyiv. The first editor-in-chief was Ivan Koshelyvets (1907–1999), who headed the journal from 1961 to 1966. Deliberately non-partisan, «Suchasnist» placed Ukrainian literature in the context of Western modernity and soon became the main platform through which the emigration became acquainted with the poetry of the Sixtiers.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":67133287563635,"sku":"SKU-00957","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15601712955763.jpg?v=1793987623"},{"product_id":"zhyttia-i-shkola-ch-1-239-steit-koledzh-1991","title":"Life and School: Journal of Ukrainian Education. Part 1 (239). State College, January–February 1991","description":"\u003cp\u003eZhyttia i Shkola: Ukrainian Cultural and Educational Periodical. Part 1 (239), January–February 1991, Year XXXVII \/ published and edited by Dr. V. O. and Yu. A. Lutsev.\u003c\/p\u003e\n\n\u003cp\u003eState College (Pennsylvania); Toronto, 1991. — 41 pp.: illus. — Published bimonthly; annual subscription $5 U.S.A.\u003c\/p\u003e\n\n\u003cp\u003eSoftcover in terracotta-colored cloth-textured paper, black print: at the top, a title with a torch, books, a palette, and a trident in a sunbeam; below it, framed by an embroidered ornament, a Christmas scene with the inscription “We worship the Nativity, let us pray to Christ our God” — princes in crowns and a figure in Cossack attire approach the Christ Child, with a model of a church. On the reverse of the front cover are the publication details, table of contents, and holiday greeting; on the back cover are advertisements for the Ukrainian Credit Union, Future Bakery in Toronto, and Slavia Library Publishing House. Cover without tears, inscriptions, or stamps; pages are white, binding is firm. Stains and uneven printing on individual pages are due to the printing process itself, which involved typesetting and reprints. Condition: very good.\u003c\/p\u003e\n\n\u003cp\u003eThis issue has historical and cultural value and is of collector interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eIn this issue, Vasyl Lutsev concludes his article “For the Bright Traditions of the Kyiv-Mohyla Academy” with the belief that the day would come when Ukrainians would achieve a “United and Independent Ukrainian State” and the schools of Ukraine would call emigrant educators to work. The issue was published for Christmas 1991 — the Act of August 24 was still several months away. Alongside it, the editors greet “our Loved Ones, Friends, and Acquaintances in Ukraine and scattered throughout the world.”\u003c\/p\u003e\n\n\u003cp\u003eThe issue opens with a Christmas carol featuring an engraving of angels over a nativity scene. This is followed by a reprint of Stepan Smal-Stotsky’s (1859–1938) article “The Ukrainian Language: Its Origins, Development, and Characteristic Features,” in which the editors preserved the author’s spelling, and Lutsev’s essay “Prince Roman Mstyslavych (Autocrat of All Rus’ Ukraine)” with scholarly notes. The issue also includes Bohdan Lepkyi’s (1872–1941) poem “On Christmas Eve,” Yaroslav Pasternak’s (1892–1969) account of the Strutyn hillfort, articles on the role of schools in America, bilingualism, and requirements for readers, and Lutsev’s essay on the educator Kost’ Ushynskyi.\u003c\/p\u003e\n\n\u003cp\u003eThe magazine for parents and teachers was published and edited by Vasyl Lutsev — historian and bibliographer, author of the monograph “Hetman Ivan Mazepa” (Toronto, 1954). The editorial office address in State College, 418 Nittany Avenue, matches the address of his Slavia Library publishing house and research center, which is advertised on the back cover; the second address is in Toronto, and the advertisements for Canadian Ukrainian firms indicate the issue’s intended audience.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":67137490485619,"sku":"SKU-00965","price":500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15602198970739.jpg?v=1793989395"},{"product_id":"terem-ch-5-hnizdovskyi-detroit-1975","title":"Terem: Problems of Ukrainian Culture. Part 5: Yakiv Hnizdovskyi. Detroit, December 1975","description":"\u003cp\u003e\u003cem\u003e“Hryzdownsky’s woodcuts bring a quiet, unadulterated joy.” — Vasyl Barka, in this issue\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eTerem: Problems of Ukrainian Culture; Our Artists Abroad. Issue 5, December 1975 \/ editor-in-chief Yurii Tys-Krokhmaliuk; assistant Lida Tarnavska.\u003c\/p\u003e\u003cp\u003e[Detroit]: Institute of Ukrainian Culture, 1975. — Ill., color pasted reproduction. — English summary. — IUC “Terem” publisher’s mark on the title page.\u003c\/p\u003e\u003cp\u003eSoftcover in cream-colored cardboard: the title “Terem” with the number 5 in brown ink; on the front cover, a large woodcut portrait of Hryzdownsky against a black background; on the back, his woodcut “Leafless Tree” (1965). Inside, a color reproduction of a still life with cherries in a blue bowl (1972), pasted on a separate sheet, and black-and-white reproductions of woodcuts, oil paintings, ex libris, and book covers. Light spots and stains on the cover, mostly in the lower corners of both sides; slight darkening along the spine. The block is firm, the pages are clean, and the paper shows natural yellowing. Condition: good.\u003c\/p\u003e\u003cp\u003eThe publication has historical and cultural value and is of collector’s interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis issue of “Terem” is entirely devoted to Yakiv Hryzdownsky and was published after his death, featuring the artist’s own English-language essay, “Afterview.” Four authors examine him from different perspectives: Vasyl Barka writes about the poetics of woodcuts; M. Antonovych-Rudnytska recalls her visit to his Bronx home in the summer of 1964; Volodymyr Popovych analyzes his book graphics; Bohdan Stebelskyi examines his painting, beginning with the camp painting “The Wanderers” (1946). This is followed by Yurii Tys’s interview with the artist, E. Andriyevych’s article “Monuments” and “Artistic Biography,” detailing awards, public collections, exhibitions, and a year-by-year list of books he designed, from Mark Vovk’s Zagreb-published “Sestrica Melasja” (1942) to publications from 1972.\u003c\/p\u003e\u003cp\u003eYakiv Hryzdownskyi (1915–1985) was a graphic artist, painter, sculptor, and essayist, born in Pylypchi, Ternopil Oblast. He studied in Warsaw and graduated from the Zagreb Academy of Fine Arts in 1944; he lived in the United States from 1949 onward. He gained international recognition for his woodcuts of plants, animals, and cityscapes, and for half a century he was the preeminent designer of Ukrainian-language books in exile: “Arka,” the Encyclopedia of Ukrainian Studies, and the “Slovo” and “Suchasnist” series.\u003c\/p\u003e\u003cp\u003e“Terem” is an irregularly published illustrated collection by the Institute of Ukrainian Culture in Detroit, founded and edited by the writer Yurii Tys-Krokhmaliuk (1904–1994). Each issue was devoted to a single person or theme; only ten were published by 1990. Issue 5 concludes the Detroit period: subsequent issues appeared in Warren, Michigan, from 1979 onward. For Hryzdownskyi collectors, it is also valuable because the list of publications he designed was compiled during the artist’s lifetime.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default","offer_id":67146153066867,"sku":"SKU-00972","price":6500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15604114096499.jpg?v=1794009892"},{"product_id":"derzhavnytska-dumka-kvartalnyk-ch-1-8-filadelfiia-1951-1952","title":"The State-Oriented Thought: Quarterly. Parts 1, 2, 5, 6, 7–8. Philadelphia, 1951–1952","description":"\u003cp\u003eDerzhavnytska Dumka: a quarterly of Ukrainian state-building ideology, culture, and public life \/ edited by S. Ledianskyi; cover and endpapers by the painter M. Butovych. Issues 1, 2 (1951); 5, 6, 7–8 (1952).\u003c\/p\u003e\n\u003cp\u003ePhiladelphia, Pa.: Derzhavnytska Dumka Publishing House, 1951–1952. — Five issues, with issue 7–8 being a double issue: illustrations, portraits. — Editorial address: 1740 N. 7th St., Philadelphia 22, Pa. — Price per copy: 50 cents; annual subscription in the USA: $2.\u003c\/p\u003e\n\u003cp\u003eOriginal publisher’s covers, each issue in a different color: issue 1 — green print on cream paper; issue 2 — brown on cream; issue 5 — black on white; issue 6 — blue on yellow; issue 7–8 — black on orange. All covers feature a trident with a cross inside a hexagon between two floral ornaments, with the artist’s signature “But.” below. Issue 1 contains a frontispiece portrait of Hetman Danylo Skoropadskyi. Issue 1: foxing on the front cover, stains and smudges on the back, foxing on the title page, and a dog-eared top corner of the title page. Issue 2: a moisture stain in the upper right corner of the cover and soiling near the date. Issue 5: remnants of adhesive tape near the top and bottom of the spine on the front cover. Issue 6: minor rubbing along the spine. Issue 7–8: tears and paper loss at the top of the spine, a remnant of red adhesive tape at the bottom of the spine, and creases on the cover. Natural yellowing of the paper. A typed label is pasted on the title page of issue 1: “Donated to Ukrainian Museum-Archives, Inc., 1202 Kenilworth Avenue, Cleveland, Ohio 44113 U.S.A. In Loving Memory of My Parents. R. Y. Fedorowich.” Condition: good.\u003c\/p\u003e\n\u003cp\u003eThe collection is of historical and cultural value and of interest to collectors; Mykola Butovych’s cover is of independent artistic interest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe first issue opens with a portrait of Hetman Danylo Skoropadskyi (1904–1957), then Supreme Leader of the Hetmanate Movement, and the editorial article “Our Tasks.” It also contains M. Bazylevskyi’s programmatic work “The Hetmanate Movement, Its Principles and Goals,” which takes up more than a third of the issue, Vyacheslav Lypynskyi’s previously unpublished letter “On Patriotism and Chauvinism,” a posthumous tribute to Dmytro Doroshenko, who died in March 1951, A. M. Andriyevskyi’s sketch of Osyp Nazaruk, Bohdan Kravtsiuk’s poem “The Kalysh on Solovetsky,” and an interview with farmer P. Herhel, who elected Pavlo Skoropadskyi Hetman in 1918. Issues 6 and 7–8 of 1952 contain the memoirs of the Hetman’s daughter, Yelysaveta Skoropadskyi-Kuzym, “The Last Days of My Father.”\u003c\/p\u003e\n\u003cp\u003eThe journal was edited by Serhiy Ledianskyi (real name Kokot, 1906–2000), a writer and journalist who worked in Kyiv at the editorial office of Litavry in 1941–1942 alongside Olena Telyha and later emigrated to the USA via Germany after the war. The cover and endpapers were designed by the painter and graphic artist Mykola Butovych (1895–1961); the same composition featuring a trident was printed in a different color each time, making the issues easy to distinguish on a shelf.\u003c\/p\u003e\n\u003cp\u003eThe quarterly was the ideological organ of the state-building Hetmanists in the USA during the years when the movement, after the death of Hetman Pavlo Skoropadskyi (1945), was led by his son and published for only a short time. The copy of issue 1 comes from the Ukrainian Museum-Archives in Cleveland: the title page bears a label indicating it was donated by R. Y. Fedorowich “in loving memory of my parents.”\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":67224739021171,"sku":"SKU-01005","price":6500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15622202491251.jpg?v=1793985754"},{"product_id":"rozbudova-derzhavy-ch-12-21-klivlend-denver-1954-1957","title":"State-Building: An Academic Journal. Issues 12–17, 20, 21. Cleveland; Denver, 1954–1957","description":"\u003cp\u003eRozbudova Derzhavy = Rozbudova Derzhavy: academic journal. Year VI, No. 1 (12) – 4 (15); Year VII, No. 1 (16) – 2 (17); Year IX, No. 20, 21.\u003c\/p\u003e\u003cp\u003eCleveland; Denver: Zarevo, 1954–1957. — 8 issues: No. 1 (12), Spring 1954; No. 2 (13), Summer 1954; No. 3 (14), Fall 1954 (all three — Cleveland); No. 4 (15), Winter 1954\/55 (Denver); No. 1 (16) and No. 2 (17), 1955, with continuous pagination (No. 2 begins on p. 65); No. 20, January–February 1957; No. 21, March–April 1957. The subtitle on the covers varies: “Zarevo Bulletin” (No. 12), “Zarevo Journal” (No. 13), “Academic Journal” (Nos. 14–17), “Journal of State-Building Thought” (Nos. 20–21).\u003c\/p\u003e\u003cp\u003eSoftcover editions with colored paper—cream, light blue, yellow, green, and gray—featuring an identical black decorative border, the title in a decorative typeface, and the issue’s contents on the front cover. The issues are stapled. Natural yellowing of the paper, slight wear to the edges. No. 17: tears and paper loss along the outer margin of the front cover; the text is unaffected. No. 20: a large brown stain at the top of the cover, over the journal’s title, and a smaller one on the left margin. No. 13: a small stain at the top of the cover; No. 15: a dark spot near the lower left edge. Rust marks from staples on the covers of Nos. 12, 14, and 21. On the top left of the cover of No. 12, there is pencil writing; on No. 21, near the line “Year IX,” a faint stamp impression. Condition: good.\u003c\/p\u003e\u003cp\u003eThe set is of historical and cultural value and is of collecting interest.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn these eight issues, the texts of two poets who died in 1944 appear side by side: Oleh Olzhych’s “Golden Words” (No. 13) and Yurii Lypa’s “The Province,” published in the “Documents” section (No. 21). Other contributors include Oleksandr Oglioblin (on Semen and Oleksia Divovych), Dmytro Chyzhevsky (the problem of national philosophy), Yevhen Onatsky (kinship in the worldview and rituals of the Ukrainian people), General Pavlo Shandruk (memoirs “It Was So” and an essay on Ukrainian military doctrine), Ivan Mirchuk, Volodymyr Yaniv, and Petro Holubenko. Petro Stercho publishes a document on Hitler’s meeting with Field Marshal Keitel and General Zeitzler at Berchtesgaden; the review section includes the newly published “The Mongols and Russia” by Mykhailo Hrushevsky and “The Formation of the Soviet Union” by Richard Pipes.\u003c\/p\u003e\u003cp\u003e“Rozbudova Derzhavy” was the organ of the Zarevo society, which in May 1949 united students and young scholars—supporters of the OUN under the leadership of Andriy Melnyk. The journal continued “Zarevo Bulletin” (Munich, 1949–1950), hence the year count from 1949. The title was suggested by an article by Arkadiy Zhukovsky, in which the older generation of nationalists’ slogan of “nation-building” was contrasted with “state-building” as the task of the new generation. The journal published the works of the society’s expert commissions and traveled with the emigration: Munich, Montreal, Cleveland, Denver. It was edited by historian Marko Antonovych, from 1954 by economist Bohdan Vynar (1926–2013), and later by bibliographer and founder of the Denver-based publishing house Libraries Unlimited. Both Vynar brothers, Bohdan and Lyubomyr, are published in the set.\u003c\/p\u003e\u003cp\u003eAccording to the Encyclopedia of Ukrainian Studies, the journal ran until 1957; according to Oleksandr Bokail’s research, the last, 22nd issue appeared in 1958 in Toronto under the editorship of Marko Antonovych. This set contains eight of the twenty-two issues: the entire Year VI (1954), two issues from 1955, and two from 1957.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":67226792165747,"sku":"SKU-01006","price":5500.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15622575391091.jpg?v=1793985759"},{"product_id":"suchasnist-ch-12-344-miunkhen-hruden-1989","title":"Contemporary Life: Literature, Art, Social Life. No. 12 (344). Munich, December 1989","description":"\u003cp\u003e\u003cem\u003e“We stand over an abyss, and therefore must hold hands… Unity! Unity! Unity!” — Volodymyr Yavorovych\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eSusnist: Literature, Art, Public Life. Issue 12 (344), December 1989 \/ editor-in-chief Taras Hunchak.\u003c\/p\u003e\n\n\u003cp\u003eMunich: Ukrainian Society of Overseas Studios “Susnist”, 1989. — 320 pp.: illus. — Twenty-ninth year of publication. — ISSN 0585-8364.\u003c\/p\u003e\n\n\u003cp\u003eHardcover with a cream-colored cloth cover of fabric texture: on the front cover, the title, date, and issue number are printed in black, along with the Rukh symbol — the letters “Rukh” inscribed in a trident — and the words of Volodymyr Yavorovych. The covers are stained with gray spots, most severely on the back cover, with small dark specks; the edges and corners are rubbed, the spine is worn at the top and bottom, and there is slight rubbing of the cover near the lower left corner of the back cover. On the inside of the front cover, near the head of the spine, there is a dark stain. The text block is tight, the paper is white and clean. A graphic ex-libris “Ex libris Vol. Hordynskyi” is pasted on the front endpaper. Condition: good.\u003c\/p\u003e\n\n\u003cp\u003eThe issue has historical and cultural value and is of collector interest.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe entire December 1989 issue of “Susnist” was devoted to one event — the Constituent Congress of the People’s Movement of Ukraine for Perestroika, which took place on September 8–10, 1989, at the Palace of Culture of the Kyiv Polytechnic Institute and gathered 1109 delegates. Here are presented the speeches of Oles Honchar, Ivan Drach, Ivan Dziuba, Yevhen Sverstiuk, Dmytro Pavlychko, Mykhailo Horynia, Mykhailo Braichevskyi, Lev Lukyanenko, and Vyacheslav Chornovil, alongside the speech of Adam Michnik from the Polish “Solidarity” and the speech of Leonid Kravchuk, then head of the Ideological Department of the Central Committee of the Communist Party of Ukraine. This is followed by the program and statutes of Rukh, the congress resolutions, and the composition of the regional councils. Most of the texts were reprinted from “Literaturna Ukraina” and other Kyiv publications, preserving the spelling of the originals.\u003c\/p\u003e\n\n\u003cp\u003eThe journal was published monthly from 1961 at the expense of the Ukrainian Society of Overseas Studios in Munich. From 1984, it was edited by historian Taras Hunchak, a professor at Rutgers University in Newark; the issue opens with his essay “Unforgettable Three Days in Kyiv” — he attended the congress at the invitation of Ivan Drach. For the publication, which for three decades printed texts banned in the Ukrainian SSR, this issue became a chronicle of the moment when the Ukrainian opposition spoke legally for the first time and from a major platform.\u003c\/p\u003e\n\n\u003cp\u003eThe ex-libris on the endpaper likely belonged to Volodymyr-Yevhen Hordynskyi (1915–1994) — a biochemist, an actual member of the NTSh, and the brother of the poet and artist Sviatoslav Hordynskyi. He lived and is buried in New Jersey, where the American editorial office of “Susnist” was already located at the time.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":67238185927027,"sku":"SKU-01008","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15624240071027.jpg?v=1793987318"},{"product_id":"lud-organ-polskiego-towarzystwa-ludoznawczego-t-34-lviv-1936","title":"Lud: journal of the Polish Ludology Society. Vol. XXXIV. Lviv, 1936","description":"\u003cp\u003eLud: organ Polskiego Towarzystwa Ludoznawczego we Lwowie, założony w roku 1895 = Organe de la Société polonaise d'ethnologie \/ redaktor Adam Fischer. Serja II, tom XIV; ogólnego zbioru tom XXXIV.\u003c\/p\u003e\u003cp\u003eLwów; Warszawa; Kraków; Poznań; Wilno: nakładem Towarzystwa Ludoznawczego we Lwowie; skład główny w Wydawnictwie Zakładu Narodowego im. Ossolińskich, 1936. — 304 с.: 9 іл., 13 табл., 28 мап. — Z drukarni L. Wiśniewskiego we Lwowie, ul. Ossolińskich 16, pod zarządem Klemensa Preidla. Видано з дотації Міністерства віросповідань і освіти. Текст польською мовою, зміст і підписи до мап продубльовано французькою.\u003c\/p\u003e\u003cp\u003eУ пізнішій напівоправі: корінець і кути з темно-зеленого фактурного полотна, на корінці золоті фільоти; палітурки криті мармурованим папером у синьо-зелених, оливкових і брунатних тонах; синя стрічка-закладка. Мармурований папір витертий по краях, на передній палітурці внизу дрібна втрата паперу, на задній — витертість біля верхнього кута; кути притерті. Папір із рівномірним пожовтінням, на форзацах лисячі плямки. Мапа Польщі (рис. 26) на складаному аркуші. Перед титулом — аркуш із тоновим портретом за підписом «J. P. Müller», з обірваними краями й плямками; до змісту тому він не стосується. Блок міцний. Стан: добрий.\u003c\/p\u003e\u003cp\u003eТом має історико-культурну цінність і становить колекційний інтерес.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eІНФОРМАЦІЯ\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eВідкриває том розвідка індолога Евгеніуша Слушкевича про духів, привидів і демонів Індії, але чимало сторінок тут присвячено українським землям. Ян Фальковський публікує матеріали «Зі східного гуцульського пограниччя» з рисунками стайні, кошниці, ясел і ступи з Бабина, Смодного та Соколівки; Маркіян Смішко — порівняльну студію про кільцеподібні посудини від Кіпру до Польщі; Леон Попель — дослідження ступи з 28 мапами поширення, у яких перелічено села Бойківщини, Посяння й Полісся. Далі — житіє розбійника Юзефа Бачинського «Скавицького» Станіслава Щотки, постанови першого конгресу казкознавців у Лунді, рецензії та бібліографія народознавства за 1931–1932 роки Альфреда Бахмана.\u003c\/p\u003e\u003cp\u003e«Lud» заснував 1895 року у Львові Антоні Каліна як орган Товариства людознавчого; від 1910 року часопис редагував Адам Фішер (1889–1943), професор Львівського університету, про якого Ян Чекановський писав, що товариство завдячує йому буквально всім. До редакційного комітету цього тому входили Вільгельм Брухнальський, Адольф Хибінський, Ян Чекановський, Евгеніуш Франковський і Леон Козловський. Маркіян Смішко (1900–1981), автор однієї зі статей, згодом став одним із провідних українських археологів Львова.\u003c\/p\u003e\u003cp\u003eНаприкінці тому вміщено касовий звіт скарбника за 1935 рік: увесь бюджет товариства становив 4676 злотих, із них 2000 — міністерська субвенція, а друк самого «Ludu» коштував 1550. Це один із пізніх львівських томів часопису: після війни товариство відновили вже в Польщі, і видання продовжилося там.\u003c\/p\u003e","brand":"archivevam","offers":[{"title":"Default Title","offer_id":67267191636339,"sku":"SKU-01028","price":2250.0,"currency_code":"UAH","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/files\/pr-15628828574067.jpg?v=1793987317"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/7885\/2723\/collections\/kolazh-bez-fonu-zhurnaly-i-periodyka.png?v=1794052215","url":"https:\/\/archivevam.com\/en\/collections\/zhurnaly-i-periodyka.oembed?page=2","provider":"ARCHIVEVAM РІДКІСНІ КНИГИ","version":"1.0","type":"link"}